Strings & Sol Festival 2016 - Puerto Morelos, Mexico - Friday

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Strings & Sol Festival 2016 - Puerto Morelos, Mexico - Friday

Strings & Sol Festival 2016

Festival Experience Archive

for The Lot Scene by Parker

Introduction

    The third time was most certainly the charm this year for me at Strings & Sol, Cloud 9’s annual bluegrass bash on the beach down in Mexico.  So much clicked and grooved and jived in all the right ways and having the privilege of plugging into that unique energy and wonderful positivity that is the Strings & Sol reality became all the more real and important.  And fun…we can’t forget the fun.  What a cast of characters assembled, too, both on stage and off this festival having become a quick repository for so many super fans and linchpins of our community as well as a growing number of multi S&S alumni.  As such, the subculture of Strings & Sol draws you in, seduces you with so many amazing experiences and wonders, and then delights you to the very marrow with unparalleled music, a heavenly atmosphere, and the chance to experience it all with some of your favorite people.  And that lineup?  Are you kidding me?  As always, just the kind of music I want to hear with a frosty beverage in hand and my feet in the sand.  Bravi to Annabel Stelling and all at Cloud 9 who have a hand in making this festival happen each year.  For our money at The Lot Scene, it is clearly one of the best planned, organized, and run fests around.  Honestly, it’s damn near perfect.  Please keep up the wonderful work, guys!!  So many thanks!!  I guess, for me, it’s the overall feeling I get when I come to Strings & Sol.  I am reminded so acutely of summer camp as a child…meeting new people and having fun for a week or so, making lifelong friends in the process, saying goodbye for a year in between…having more fun than seems humanly possible.  And the Now Sapphire plays a huge role in this, too, what with their staff (our counselors if you will) always at the ready to make things happy, to make us happy.  Seeing the same staff from year to year…see?  Just like camp.  And the anticipation.  An entire year’s worth of waiting to get back to the magic.  Back to friends and drinks and music and the beach and the pool and the Buffet and fun.  All that and more:  Strings & Sol.  Camp Strings & Sol.  But, where would our favorite summer camp in December be without the music?  Without those Strings we’ve been hearing so much about?  Where, indeed?  How’s about we get down to business then, my friends…  

Now Sapphire Pool and Pool Bar

Now Sapphire Pool and Pool Bar

Friday Highlights

Yonder Mountain String Band - Leftover Salmon

    Annabel Stelling joined Yonder Mountain String Band for the traditional welcome toast as the waves crashed nearby and as everyone raised their libations high into the evening sky in salute to the good times to come.  Always such a triumphant and expectant moment and certainly a favorite of many in the crowd.  How couldn’t it be?  With so much music in store at that point in the festival, that must serve as a great memory for so many people who attended.  And then, in a flash, the music was off to a hot start with Yonder at the helm getting everyone’s feet a-dancing in that cool white sand once again.  They kicked things off with a speedy and energetic “Insult and an Elbow” from their album Black Sheep.  A good choice in that these five talented individuals showed that they meant business for the remainder of the weekend from the very get go.  Jake Jolliff’s early solo at Warp 5 was a perfect example of this fact.  And Allie Kral's answer to that solo a bit later in the song?  Riveting.  Plainly put, we were all in for some sizzling YMSB this weekend.  And we were loving it.  Another selection from Black Sheep was next in line that evening in the form of a fantastic Strings & Sol rendition of “I’m Lost”.  But, the best thing is, you don’t have to take my word for it because we recorded a lovely video of it just for you!  Please enjoy! 

Yonder Mountain String Band kicked things off in their traditionally fine fashion at Strings & Sol this year after the yearly Welcome Toast on Fri Dec 9th with a fantastic set. Here is a small taste of it for you...feel that ocean breeze? What a great way to get this amazing festival started!!

Nothing like taking it that special vantage point from the beach at S&S.  It really is as magical as everyone says it is.  “Pockets” followed “I’m Lost” for this opening set from Yonder Mountain on the stage sitting blithely next to the sea, the mixture of music and nature creating a heady brew for the crowd below.  Really fine guitar solo from Adam Aijala about a minute into things truly showcasing the musical acumen that is so prevalent in this band.  And this was only echoed in Allie’s own extremely gifted and skilled musicianship exemplified in her own killer soloing.  The next song saw Jake Jolliff come up to the mic to take the lead on King Harvest’s “Dancing in the Moonlight”, yet another excellent cover from YMSB.  They certainly have a strong collection of those very songs.  Fantastic ensemble work from the entire group on this one highlighting that easygoing feel of yesteryear that this song evokes in spades as well as the round robin of sweet solos that kept coming round the bend time and again.  I really enjoyed this version of an old favorite.  Superb job, guys!  Danny Barnes joined the band on stage for a couple of numbers beginning with “Winds of Wyoming” which they took directly into “Funtime” and back into “Winds”.  Holy goodness can that man play the banjo!!  Yonder just knows how to interface with a guest so very well to bring out the very best of the collaboration.  Adam took this to heart with a lengthy and fiery good guitar solo a couple of minutes into the mix.  Such skill on that instrument!  Allie’s contribution to the good times on stage is of necessary mention as well — that good lady can evoke so much incredible joy from that fiddle of hers.  And we are all so glad she does just that!  All of this was in anticipation of Danny on his 5-string, however, as he lit up the night with his own unique brand of picking.  What a monstrously awesome augmentation to Yonder.  Bravo, sir!  Then, Dave Johnston threw down some duet action with Danny as well which was twice the banjo goodness.  So much string band happy on stage all at one time!!  And then it was time for Danny to bust out the lead on “Funtime” with Ben in support on harmonies.  What’s that about Jake nailing down some seriously crazy good solo work?  Yeah, you got that one right, my friend for that certainly went down, too.  Talk about a fun time, indeed.  So fun!  Especially when they slammed right back into “Winds of Wyoming” to finish things out with Danny.  Excellence!  Later in the set, Drew Emmitt of Leftover Salmon came out to add his voice and mando to the madness on the S&S main stage for a couple of songs:  “Summer in the City” into “Kentucky Mandolin” back into “Summer”.  Again, another perfect example of how well Yonder really synchs with other musicians.  I love that aspect of this band.  You could tell Drew was having a blast up there, too, smiling away in such the infectious manner.  Nothing like watching our favorite musicians love what they do.  The final song of the set came a little later with Larry Keel added in this time to increase that fun payout.  Yonder and Larry finished the show with “Sidewalk Stars” an old favorite in the YSMB catalogue.  Larry, of course, added his signature grit and sincerity to the performance which, if you are a fan of Mr. Keel like I am, is always encouraged.  What a way to conclude the opening set of Strings & Sol 2016!!  What a set itself!!  If this was an indication of what was to come (and it was, believe-you-me) we were all in for the best weekend of bluegrass on the beach yet.  And that was pretty damn exciting.  Cheers to Yonder for tearing the lid off Strings & Sol 2016 for us!!  Bravi!!

Yonder Mountain String Band

Yonder Mountain String Band

    Festivaaaaaaaaaaaal!!  Ah, the cry of the Leftover Salmon.  The rally that utters forth time and again from the great polyethnic cajun slamgrass chieftain, Vince Herman.  Leftover Salmon.  That band’s band.  That amazing ongoing experiment in music, madness, merrymaking, and mutual awesomeness.  What would S&S be without LoS?  Where would we all be without them to help welcome us back to camp on the first night of the fun?  I am just glad we didn’t have to find any of that out this year as we watched Salmon take the stage after Yonder Mountain.  I freely admit my bias here:  I adore this band.  It’s really hard not to.  From the energy to the joy to the music to the everything, I really enjoy all that they do.  But, then again, I really like to have fun at shows and Leftover provides fun in droves.  So, let’s get to that fun, shall we?  “Mexico” was our collective intro into how Salmon was feeling this year at S&S.  Drew Emmitt was up to the mic for the lead vocals on this homage to our current location, with the band in full support to be sure.  Nothing at all like that sweet, sweet Salmon ensemble sound.  Alwyn Robinson was serving up some serious beats that translated directly into sand flying around our dancing feet on the beach down below and while the rest of the band wailed away, stirring the pot in all sorts of fine ways.  Quite the auspicious start to what would be a marvelous show.  “Zombie Jamboree” was the perfect follow-up to the intensity of “Mexico”.  Erik Deutsch tore things up on his keys in that ever-more-respectable way that only he can.  As most of you know already, I supremely love that man’s playing.  Especially with this, one of my favorite bands.  Lighthearted and joyous, Vince heartily sang the tongue-in-cheek lyrics as we all jumped and thrashed about in glee and as Andy Thorn serenaded us all on his mystical banjo.  Drew took his own turn at the fun with a lengthy and lively solo on his mandolin.  Pure excellence!  Then, how about a big turn at “Tequila” with Larry Keel?  Oh, the “Tequila” joke, you ask?  Ah, yes.  The “Tequila” joke.  So, apparently as we would find out later in the weekend from Anders Beck of Greensky Bluegrass, the idea was to play the ending riff of The Champs’ classic “Tequila” after every song and have the crowd yell the magic word.  So, Yonder did begin this…my apologies for not telling you sooner.  And it kept going.  And going.  All weekend.  But, we’ll get to that.  For now, it was still fresh and funny.  And how can’t you love Salmon with Larry Keel?  Next, we managed to get another great video for you to help transport you to the beaches of S&S with us.  Please enjoy this “Whispering Waters”!! 

Leftover Salmon lit up the night sky on Friday, December 9th at Strings & Sol 2016 with their incredible set. Always a perfect fit for this bluegrass festival on the beach, Leftover certainly did NOT disappoint all those who traveled to Mexico to bask in the sun, fun, and music.

If you closed your eyes, you could’ve almost been there, right?  That’s what we try to do for you, good people — take you there.  Later on the fantastic familiar drum intro of “Gulf of Mexico” heralded in the perfect anthem for the setting at the Now Sapphire right by that very body of water…or a little around the corner at least.  But who’s counting?  Hey, we were by water in Mexico.  More than good enough for us as we enjoyed this classic from Leftover, Drew at the vocal helm.  Some marvelous banjo badness from Thorn helped kick things into high gear as Drew answered on his electric guitar, all the while Robinson like a mad metronomic monster throwing down the base to the whole affair.  Brilliance from every corner of the band!!  Bravo to Greg Garrison on that bass of his!!  Bravo to Erik on the keys!!  What a showing!!  Then how about a little Hendrix, why not?  Why not, indeed!!  “The Wind Cries Mary” is one of my favorite covers from this band, and they just freakin’ kill it every time I hear it so why shouldn’t it be?  Drew provides the vocals for the adventure and the whole thing is taken at a quick bluegrass pace.  Magnificence.  Erik tickled those ivories so adeptly and sweetly, synth set to organ, phaser set to “kick ass”.  And so much awesomely awesome drumming, Alwyn!  My goodness…leave some beats for the rest of the class, please.  Ha!  Not to mention Drew on his mandolin and Andy on banjo!!  It’s enough musical merriment so as to cause palpitations!  Big, big music from this big music band.  After a small set break the band got back into the shenanigans we’d all been enjoying thus far.  A bit into that second set, the band launched into a “Funky Mountain Fogdown” with a “Tequila” inspired intro that developed into something rather fun and funky, indeed.  Maybe it was Andy Hall’s dobro that really brought the funk to it all.  Whatever the reason, we were on quite the ride through fast pickin’ heaven.  So much great musicianship going round and round and round.  Crazy good!!  I mean, Vince was nailing it on guitar like a super champ and then, bam, hands it right off to Hall who…runs…with…it.  I mean just goes and goes.  Such incredible music.  Not to be outdone, Deutsch comes in on those keys and just dominates until Andy Thorn steals the show on banjo!  Whoa!  What a rush!  What could you even follow that with?  Well, Salmon does it a little something like this:  “Get Up And Go”.  Vince singing to us about living life in much better fashion?  A perfect way to dance out the energy from the “Fogdown” before.  Andy Hall stayed out there throwing down those perfect dobro licks to enhance this travelin’ song.  What a player, huh?  That man knows his instrument so damn well.  So impressive.  So appreciated.  Finally, they closed things down for the night on the main stage with “River’s Rising”.  A great and strong staple of the Salmon catalogue, this one never disappoints.  It’s just a great rock song, you know?  Drew was in fine voice with Vince in support, throwing down the vocals like a a pair of rock gods.  This was a big one, too, clocking in at 13:54 — lots of music up in here.  This, of course, gave everyone the opportunity to shine and shine they did.  From Drew just shredding it on electric to Alwyn going nuts on those skins, the energy just kept building and building.  But the real creme de la creme was the mid section of the song, the jam.  At times pure, high energy rock’n’roll and at others trippy space breakdown, Leftover was determined to take the audience some place far away and special.  And that is exactly what they did.  Wow.  By the time the song came back to itself at the end of the more than 10 minute jam it was still filled with madness and energy and fun and laughter.  What an ending!!  Not a person standing on that beach wasn’t left wheezing with pure merriment and gratitude.  What a show!!  Festivaaaaaaaaaal!!  What a ride!!  And that, my friends, is precisely why we go to Strings & Sol.  Boom!  So many thank yous to the band and their folks who help to get them to places like S&S.  Thanks to the Cloud 9 folks for an amazing first day at Strings.  Ah, back at camp and couldn’t be happier.  So much fun to be had…already had.  Amazing.  And still three days to go!!  

Leftover Salmon with Andy Hall

Leftover Salmon with Andy Hall

Stay tuned for Saturday’s fun, everyone!!

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Gipsy Moon - 01 December 2016 - The Ogden Theatre - Denver, CO

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Gipsy Moon - 01 December 2016 - The Ogden Theatre - Denver, CO

Gipsy Moon

01 December 2016 - The Ogden Theatre - Denver, CO

for The Lot Scene by Parker

Band Members:  Silas Herman - mandolin, guitar, vocals; Mackenzie Page - guitar, tenor banjo, vocals; Matt Cantor - bass, vocals; Andrew Conley - cello; Omar Mansour - percussion

    The Ogden Theatre in Denver, CO, is a good get by any estimation when it comes to gigging bands.  As far as indoor venues go in a city filled with many others, it does very well on many fronts, but mostly serving as a great room for live music.  And grass music is no exception.  Add to this the long and prestigious list of others who have shared that same stage and you get a formidable venue.  This is why Nederland gypsy grassers Gipsy Moon felt especially grateful to be playing the space for their first time last Thursday opening up for Greensky Bluegrass.  And this was a gratitude they not only expressed over the mic but most assuredly through their fantastic playing that night as well.  Suffice it to say, they proved to be one hell of an opening act, delighting the packed room with a well-rounded and extremely enjoyable set.  The Ogden was humming with the anticipation energies of hundreds of music lovers all gathered to plug into that amazingness of sound and sight and wonder.  It was with a definite sense of pride and satisfaction that I watched them take the stage, knowing full well some of the meaning of this gig’s importance.  We all love to see the bands we love succeed, right?  And right before our eyes?  Always a wonderful experience to share with them.  Always.  But, I do suppose we ought to talk a little about the music, right?  Well then, let’s get moving right along!

    After taking their places and grabbing the requisite instruments, GM struck up the first chords of “Mama” and took immediately off into the fabric and texture of gypsy grass and scooping us all up alongside for the ride.  Mackenzie’s distinctive and gorgeous vocals entrance from the very get-go each time, weaving story after story for you in mellifluous melody and song, this time accompanying on her guitar.    Serving as the perfect counterpoint to Mackenzie’s stunning vocal lines, Silas’s mandolin cuts through the night like the blade of a brilliant and mad musical samurai, ripping loose with note after note after note to the delight of all.  Then, on the other end of the timbre spectrum, Andrew enters on his cello, obviously an instrument unique to the world of grass musics.  And what a lovely and individual sound!  The non sequitur nature of it really wakes up the ears, adding a real and palpable freshness to Gipsy Moon’s overall sonic framework.  (In fact, I had a chance to talk with Andrew after the show for a little while about this very thing.  Have cello, will rock.  Love it.)  And we were only one song in!  They followed up “Mama” with “St. Jane”, Omar’s drums and Matt’s bass providing a bouncing and bolstering introduction setting the song proper up in fine fashion.  This one is a dance song, through and through.  Nothing but incredible beats from Omar throughout providing those oh-so necessary dance rhythms.  Once again, I have to touch on the subject of Omar’s inclusion in the band and how very well I think it has been going for him and for GM as a result.  Pure and simple, Mr. Mansour brings some seriously intense and raucous energy to the ensemble which he gives freely to the rest of his bandmates and to the crowd equally as well as that metronomic backbone for the group to dance upon themselves, instruments in hand and succumbing to those rhythmic temptations as only we humans can.  And the audience at the Ogden was just eating it all up.  As well they should.  It certainly felt good to get the blood moving on that chilly December night.  And that sweet, sweet bass solo from Matt didn’t hurt the vibe whatsoever, either.  Funky!  Seriously.  Matt was proving the show’s powerhouse early on, as he stepped forward for a big and baller bass solo intro to get things going for “Banish Misfortune”, their next number.  The band all joined in one by one until everyone was playing this lively jig, an instrumental dominated by that booming bass.  I just love it when this ensemble skews Irish.  Really takes me back.  And I love listening to a great tune where everyone shares the melody line back and forth amongst all the instruments.  Musically, I think it’s rather enjoyable to hear the melody played through the various textures and timbres on the stage.  And GM’s fantastically one-of-a-kind instrumentation really makes for interesting and new and exciting versions of old favorites, such as this one.  And more dancing in the crowd — you know it!  How couldn’t you?  It was a jig for goodness sakes!  I mean…a jig.  Right?  Well, if you are tired from all that dancing, the next one is just for you!  We managed to capture some world premier footage of a brand new Gipsy Moon song — and we’re bringing it straight to you today!  So sit back, relax, and check out this new favorite around the TLS offices, “The Show Must Go On”: 

Colorado string band powerhouse Gipsy Moon played their first Ogden Theatre show in Denver, CO, on Thursday, 01 December 2016. As a part of their incredible set, they debuted this little beauty of a song...an instant favorite. Please enjoy "The Show Must Go On"!!!

How great is that one, am I right?  Looking very much forward to hearing it again sometime soon.  Mackenzie set her tenor banjo down and grabbed up her guitar for “Daybreak” which followed their new song debut.  Silas delivered a sweet and sonorous mando intro taking things into the tune itself, each member of the band gently joining in to create this light, lithe, and livelybit of enjoyment for band and audience member alike.  Another great instrumental from this extremely talented group of instrumentalists, this one is a favorite of mine for all the right reasons.  Much like “Banish Misfortune” we see the trade off of melody from instrument to instrument once again with such adept skill and ability, making for a truly wonderful musical experience.  High marks to the entire band for this one, creating the perfect midway mark for their fiery set.  And then there was Omar’s total and complete percussive onslaught of a solo to set the blood a boiling in all the best ways possible.  Magnificence!  But, where would a night of grass music and revelry be without a little “Gin”?  The seductive first few words sprang forth from Mackenzie in a mesmerizing and lilting spell enticing the listener into the greater song to follow.  Truly, the feeling is a masterful and magic one.  Definitely a stalwart standard of their repertoire, this song is always welcome for its bright and boisterous nature.  Silas had this particularly choice little section of solo work that popped right out in a delightful manner, mando shimmering in the stage lights, and it really just illustrated the true nature of this band and its superb style.  There seem to be thousands of little things, important things that make up that very nature and style.  And, it is the amalgam of all these countless, incredible details that produce the very gypsy grass sound that we have come to know and love from this quickly-rising Colorado band.  They continued the great fanfare of the evening with “Come With Me” another one with which I was happily familiar.  And another favorite to be sure.  Talk about your vocal harmonies here!  Mackenzie and Matt were nailing some truly gorgeous vocal lines for us all over the top of Silas and Andrew trading things back and forth, each man masterfully embracing his instrumental skill for our enjoyment.  Omar had this great big bass drum in his kit this time which was new to me…and it was spectacular.  What depth and massive tone he was getting — and what this was adding to the band was nothing short of perfection.  The band followed “Come With Me” with “Some Days”, getting a bit funkier and groovier, dropping things back to this mellow march of intensity and energy.  And funky and groovy it was, too, my friends!!  The fabric of your average GM setlist is always so interesting to watch unfold.  For example, “Some Days” was a contrapuntal addition to the mix in contrast to so many of the other songs on the setlist for the evening.  But, this band loves to take you places.  And in style, as well.  They love to lead you on a journey through music and form and sound and texture and song and, if they don’t change things a bit from time to time, that journey tends to wander around aimlessly, right?  Not with Gispy Moon.  No, with them, your wandering is all focused and free at the same time, lighting up the soul with wonder and merriment.  And that is part of the joy of choosing to travel with these magical musical gypsies on their journeys through time and space — you go places both musically and metaphysically.  And that is why we come to shows in the first place, right?  But then, sadly, it was time for GM’s last song of their set.  However, what a set it had been!  Andrew led in on his oh-so charming cello, spinning out a gypsy melody of the highest order heralding in “Dark Eyes”, an exotic and mysterious song of intriguing sound and spirit and just the right way to close things down Gispy Moon style.  Especially when the whole thing kicks into double overtime about halfway through and Silas goes to town on his mandotar, once again that savage musical samurai from earlier on.  Of very worthy note as well, Matt threw down a serious solo on that big beast of a bass of his which whipped the crowd into a frenzy.  What a way to close down this Ogden show!  The crowd erupted into huge applause and cheers as soon as the last notes rang out, the packed house in full approval of what they had just witnessed, the perfect precursor to a band such as Greensky Bluegrass.  Once again, Gipsy Moon had proven just what kind of band they are:  talented, skilled, driven, youthful, fun, intense, and veritable musical monsters in their own right.  And on and evening of a couple of firsts, as well.  Just the kind of show I love to attend.  A huge round of thanks and congrats go out to the band as well as all the hardworking folks that make GM happen!  So much phenomenal music, such a fantabulous set!  Bravi, bravi, bravi, my friends!  Thanks so much for the magic!  

Gipsy Moon

Gipsy Moon

 

 

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Rumpke Mountain Boys - 13 November 2016 - The Fox Theatre - Boulder, CO

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Rumpke Mountain Boys - 13 November 2016 - The Fox Theatre - Boulder, CO

Rumpke Mountain Boys

13 November 2016 - The Fox Theatre - Boulder, CO

for The Lot Scene by Parker

Band Members:  Adam Copeland - guitar, vocals; Ben Gourley - mandolin, vocals; J.D. Westmoreland - upright bass, vocals; Jason Wolf - banjo, dobro, pedal steel, harmonica, saw, vocals

    What better than a warm fall night in Boulder, Colorado?  Filling that night to the brim with fantastic music, that’s what!  And that is precisely what those of us who gathered at The Fox Theatre on University Hill did that fine Sunday evening.  Call us “the lucky ones”.  It had been a tough day for music lovers once again with the news of the loss of Leon Russell, one of our very greats.  However, there was a feeling of joyous defiance of death and all things pertaining that pervaded the venue as opposed to any overbearing feeling of sadness or grief.  Music is a healer, is our healer, and I think most folks there were tuned into that particular vibe as they made their way inside.  I know the Rumpkes were, having had a chance to chat a bit with them before their set.  They did tell me to get ready for a Russell-heavy set.  I told them I wouldn’t mind that in the slightest.  Really had a lovely conversation with J.D. Westmoreland that ranged all over, but of definite interest was the fact that he was celebrating his fifth year with the band to the precise day and in the very same town in which he’d originally joined the band:  Boulder.  Pretty cool, right?  Things like that just don’t line up every day.  Then I enjoyed one of my absolute favorite pastimes…catching up with my incredible friends whom I might chance to meet from show to show.  Always a great game of buddy roulette in terms of whom you will see when you walk through the doors of a venue.  And always excellent to see with whom you’ll be sharing a show experience.  And what is “infamous trashgrass” care of the Rumpke Mountain Boys other than a complete and total experience?  That evening, as we were all to see in a few scant minutes, it became even more.  Which reminds me, we’re here for some music, right?  Well, then, how about we get down to it?

Rumpke Mountain Boys and Dave Guy

Rumpke Mountain Boys and Dave Guy

    Striking the match and setting the whole place ablaze with their trademark high energy, “Merman Dingo” was our first offering of the evening with Adam up to the mic to take the lead vocals.  Ben was wearing a Leon Russell style hat and rocking it completely, it must be said.  The very first of many various tributes to the great Leon that were to come that evening.  It had been a fair many months since I had last seen the Rumpkes and I could immediately sense a tightening of their musical texture and overall sound that was at times apparent and others subtler still.  As with any band we support, we desire for them to forever spiral upwards in all ways possible.  This was precisely the kind of phenomenon I felt I was witnessing in the progress of the Rumpkes.  And exactly the kind of feeling you want to have at a show, right?  A nice, groovy bass intro from J.D. brought us into the next selection of the evening:  “Molly”.  Ben’s mando immediately lit the room up with its bright and cheerful timbre with Jason’s banjo backing things up in a smooth and stylish fashion, all the while J.D. crooning away on the mic for us.  Pretty classic Rumpke sound going on and in good measure.  Strong lead into this set so far to be sure.  Most assuredly the musical acumen of these very talented and skilled gents was on display for all to see that night in each solo and melody line and every other note uttered from those well-worn instruments on stage.  “Crows Blues” followed “Molly” with Ben stepping up to the mic to take the lead.  And that Leon Russell hat was killing.  Well done, Ben.  And what a fun little trip through some sweet string band madness is this ditty!  One of those “I challenge you to not dance to this song” kind of songs.  And filled to the brim with that infectious Rumpke energy.   And would you like to see a bit of this infamy all for yourself?  Well, you are in such luck today, friend!  We’ve got some mighty fine video footage of the Rumpkes nailing down “Why Can’t We All Grow Young” for your viewing enjoyment!  Check this out!! 

The Rumpke Mountain Boys brought their particular brand of string band music to Boulder on Sunday, 13 Nov 2016. Trashgrass is always a good time with the Boys from Ohio and this show at the Fox was no exception. Please enjoy this selection from their set!!

So much magical mayhem all on one stage.  Intensely good times.  And then they started rolling out the Leon Russell in perfect style.  And I mean rolling them out to us.  What a tribute set.  Seven covers in all.  Seven!  That’s right.  Seven.  The first of which was “Manhattan Island Serenade” (which the Rumpkes changed to “Ohio River Serenade”) and which saw Dave Guy of The Roots join the band on trumpet and for the remainder of the show.  What a great timbre to add to the string mix on stage, something a little brassy and bold to shine out alongside all the other instruments.  Really special stuff to be sure.  What a sound to get from the Boys!  Adam was on the vocals for this one, making Leon proud with this Ohio version of the Russell classic.  What a jam.  Super fun.  “Takes a Drink in the Morning” followed up the “Serenade” keeping our Leon Russell train a-going and with J.D. back up to the mic to spin out this tale of necessary advice.  Jason, banjo still across his chest, sat down to his pedal steel for this one, adding that oh-so unique sound to the musical concoction of incredible goodness all stirred up on the stage.  And that trumpet!  Bravo, Mr. Guy!  Ben grabbed his electric mandolin for the next song, Russell’s “Stranger in a Strange Land”, and stepped up to the mic to rock this one out in fine tribute.  I have to say, this one was definitely an enjoyable little ride around the aether and back again.  Buoyant and a little bit brazen, it had edge and energy and it was a favorite of mine that evening, no doubt.  Ben’s solo on his electric is most worthy of note.  Lengthy and adept, note after note, Mr. Gourley dominated the musical landscape of the song in so many excellent ways.  Suffice it to say, each of the gents on stage is a total beast in his own right.  And that’s exactly what the audience witnessed with “Stranger”.  Excellence.  “Cajun Love Story” followed continuing our dance with Mr. Russell and his amazing music.  Classic banjo to open?  Sure!  Let’s do that!  And to a waltz, too?  As sung by the Mr. Wolf?  Well, now, I reckon so!  Really enjoyed the Boys’ harmonies in this one.  And so trashgrassy.  So trashgrassy.  Speaking of trashgrass, it was time to take a walk back into the Rumpkes’ originals territory.  Lee Owen of Lexington, KY, (Born Cross-Eyed) joined the band for the remainder of the set as well at this point on acoustic guitar.  This saw Adam introduce the next song, one he said he’d written rather recently and will keep developing on and on.  He explained that it’s a song about all those who have gone before us and remembering them, specifically folks in Adam’s own life.  He dedicated “Mark It Zero” to Leon Russell, of course…classy and fitting.  Copeland took to the mic and things got going in fine RMB style.  Quick, fun, well-played…all those things a person is looking for in trashgrassy string band music.  The very best kind of it, too, you had best believe.  And holy banjo badassery, Batman!  Damn, Jason!  Leave some shredding for the rest of the band, right?  On second thought, go nuts, man, go nuts!  That goes for you, too, Dave - just destroy things on that trumpet!  Burn them down, my friend!  Wowsers.  What a rush!  It was nice to get a bit of a chill vibe up next with “Banks of the River” and J.D. throwing down a soulful vocal line for another nice waltz up in the Fox.  Loved the mando and pedal steel soloing respectively.  Woven so seamlessly together throughout the number, the two seemed siblings long lost and then reunited in song.  Fantastic.  Then it was time to go “Out in the Woods” with our good friend Mr. Russell, jammed out trashgrass style.  Ben Gourley laid down some mighty fine vocals adding some serious soul to the mix.  Gravelly, gritty goodness all up in your face.  My face.  Our faces.  And damn happy that was the case.  Nasty solo work coming from all corners of the stage, from Jason just wailing on his banjo to Lee Owen throwing down a monster solo of his own.  And what about that trumpet?  Yet again?  Damn fine!  Not a bad time at all, my friends.  Really enjoyed this one, indeed.  “Big Boss Man” proved to be a perfect follow-up to “Out in the Woods” and with a “Strawberry Wine” finisher things were just dandy!  Josh Rosen from Shakedown Street came out to add his own electric guitar groove to the party just in time for “Strawberry Wine” sung by Mr. Adam Copeland.  Mind you, this is one for the getting down.  In a boisterous bayou bash kind of fashion.  And how about that magnificent mando from Ben, my friends?  About like that baller ass banjo from Mr. Wolf, right?  And then that guitar solo from guest Josh Rosen?  Trumpet, too?  More of that clarion call from the left of the stage?  So much tasty good music happening all at once, all together, all a sweet sound to behold.  If this is trashgrass, what’s not to love?  Right?  Remember how I said they’d cover seven Leon Russell songs?  Well, they weren’t done yet!  Not by a long shot.  And, “She Smiles Like a River” was an incredible addition to the vaunted lineup so far.  Ben stepped back up to the microphone to croon this one for us, Russell hat still perched smartly atop his head.  And we got a wee more pedal steel for our musical palates to boot.  Not to mention all the other incredible music pouring forth from the stage in buckets.  What a feast for the soul!  My goodness, what a set!  And then the closer…what a closer for this show.  The first few bars of “Bid You Goodnight” rang out into the night around us and lit upon face after face inspiring smiles of recognition and joy all around the room.  We all lent our voices to the band’s for this one uniting the entire venue in song and community.  Always a marvelously perfect way to finish things up in our world.  Bravi, Boys!!  But they weren’t done yet…nope.  They had that one, excellent encore up their sleeves for us.  And they nailed it.  The band.  Their guests.  All of them.  Nailed it.  Leon Russell’s “Tight Rope” is one of his better known songs and it was the appropriate capstone to an evening filled with his music.  J.D. gave us one helluva rendition on vocals as the band cruised along killing it underneath his melody.  Of course, where would we be without some exquisite string band jamming while we’re at it?  Mando, banjo, guitars, and trumpet…and that rock steady bass work.  Magic.  Just magic.  Trashgrass magic.  I think I now understand what that concept is all about, trashgrass.  The Rumpkes showed me how.  And I thank all the stars for that one.  Thank you, fellas, for such a superb evening of music and madcap string band lunacy.  Suffice it to say, I’ll be looking very much forward to my next encounter with the Rumpke Mountain Boys.  They set the bar pretty high this time, in my humble opinion.  It’ll be great to see where they go from here!!  All the best to you and yours, Rumpkes.  Let’s do this again soon, K?  Cheers!

Rumpke Mountain Boys and Friends

Rumpke Mountain Boys and Friends

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Phish - Night Two - 22 October 2016 - Encore Park - Alpharetta, GA

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Phish - Night Two - 22 October 2016 - Encore Park - Alpharetta, GA

Phish - Night Two

22 October 2016 - Encore Park - Alpharetta, GA

for The Lot Scene by Gina Elliott Proulx

Band Members:  Trey Anastasio - guitars, lead vocals; Mike Gordon - bass, vocals; Jon Fishman - drums, percussion, vacuum, vocals; and Page McConnell - keyboards, vocals 

Set One:  Mike’s Song > Ass Handed > Weekapaug Groove, Waiting All Night > Sample in a Jar, Bathtub Gin, Rift, Stash, Funky Bitch, Your Pet Cat, Character Zero

Set Two:  Run Like an Antelope, Fuego > Runaway Jim, No Quarter > Simple > 46 Days > Sneakin’ Sally Through the Alley > 46 Days

Encore:  Makisupa Policeman, First Tube

Trey Anastasio

Trey Anastasio

    I read somewhere that Mother Nature turns tree leaves different colors in the fall, as a way of teaching us humans the intrinsic beauty of letting go.  Of course -- there is a scientific reason underlying that sense of wonder at nature’s grand finale.  The cooling temperatures cause a precipitous drop in chlorophyll. Then we can see orange and yellow colors. These colors were in the leaves all summer, but the green covered them up. Some leaves turn red, from residual chlorophyll trapped in the leaves. Still others, brown.  

    The blast of color before Winter can be jarring to the senses, especially if one doesn’t know what color to expect to manifest, underneath the waning green leaves over our collective heads.  In many ways that jarring sense of the unknown, mirrors what the ‘enlightened’ top of the food chain is dealing with in this American presidential election year.

    Georgia isn’t ‘supposed’ to be a battleground state, in an election sense. But this year, it is.  The broadcast avalanche of political commercials emanating from my hotel room TV was relentless. It’s hard to endure the sensory onslaught without either taking on the prevalent negative energy, or tuning out and allowing only those who show up, to win.  At any given moment in this election cycle, I’ve taken both roads.  Neither were ultimately satisfying to my psyche.  Don’t get me started about the nature of political discourse online, especially amongst ‘friends.’  

    It starts feeling like there is an ‘us’ and a ‘them,’ in this country.  And like the outward colors of the Crips and Bloods, we all seem to be eyeing each other up in search of either a red or blue bandanna before offering up even the basics of civility. Eventually the bandannas come off, at least the political ones.  I hope so, anyway.  I’m trying to liken this last minute intensity about all things election to the leaves up on the trees. As the weather cools, things will change, some colors will drain, and new ones will emerge.  Then they all fall down…  And next Spring the cycle will begin again. Even if today, it sometimes feels like it won’t.

    When my life gets weird, with the election but one way that can happen, I tend to lean back into what always makes sense, as a way to plot my next course. My constants in life are few, but steadfast in their consistency. They remind me of my place in the big picture.  They remind me where my center, is. I can reset my perspective. Perhaps my favorite way of re-centering, is through live music.  This past weekend, Phish helped me to recenter and prepare for the coming winter, as well as celebrate the change of all kinds of seasons. ..  

Mike Gordon

Mike Gordon

    After a particularly warm early October, Phish brought cooler temperatures to their Alpharetta, shows.  It was such a treat to be at a show in the south, in the fall. I’ve attended my fair share of sweltering summertime shows in the South and Mid Atlantic. Bright blue skies, a brisk wind, and temps just cool enough to require a sweater and jeans.

    After photographing the first three songs and stowing my camera gear, I returned to the venue to see the rest of the show. But instead of heading to my seats in the pavilion, I went up to the lawn. The demo-graphical microcosm of fans up on the lawn is vast and varied.  Most ages, races, and lifestyles were represented. And with the cooler temperatures and stellar music, their “chlorophyll” was receded, so to speak. As a result, it was possible to see the person who was underneath all along. And you guessed it, that person was a lot like me:  all. along. Just like the leaves…

    I stayed on the lawn for the rest of the night.  

Page McConnell

Page McConnell

 

 

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Gipsy Moon - 01 October 2016 - Boulder Bandshell - Boulder, CO

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Gipsy Moon - 01 October 2016 - Boulder Bandshell - Boulder, CO

Gipsy Moon

01 October 2016 - Boulder Bandshell - Boulder, CO

for The Lot Scene by Parker

Band Members:  Silas Herman - mandolin, guitar, vocals; Mackenzie Page - guitar, tenor banjo, vocals; Matt Cantor - bass, vocals; Andrew Conley - cello; Omar Mansour - percussion

    It was a beauty of a brisk fall evening in Boulder, Colorado, as we made our way downtown to the bandshell on Boulder Creek.  We were glad for the warmer clothing we’d seen fit to wear as the sun disappeared behind the mountains just to our west.  The Boulder Green Bear Fest was in full swing with vendors of all kinds assembled to wow us with their wares, brews, and other sundry interesting things all in celebration of the protection and restoration of our planet’s oceans.  It made for a merry atmosphere and also meant a growing crowd being drawn to the bandshell in time to hear those oh-so-unique and wonderful stylings of Colorado’s own gypsygrass band, Gipsy Moon.  The MC persuaded the majority of those present to leave their seats and get up and dance along to this lovely one-of-a-kind string band from Nederland…a job he did very well for the grand majority of us did, indeed, dance and shake and groove for the full two hour set.  It was both a heartwarming and impressive display of those times when Humanity just gets it all perfectly right for a spell.  And what a show from Gipsy Moon that night — what a show, indeed!  Gratifying, satisfying, mystifying, and I ain’t lying!!  But, lest we put the cart before the horse, leave us away to all things in the appropriate order.  I mean, we are civilized, are we not?  To the music!!  Excelsior!!

Gipsy Moon

Gipsy Moon

    Under the glowing rainbow bands of the shell above, Gipsy Moon set the tone for their CD Release Party by letting loose the first notes of the evening’s pleasure, a slowly, softly building texture of minor chords and Mackenzie’s velvet voice.  First choice for the night?  Well, “Stolichnaya”, of course!  And why not a song about vodka at a beer fest?  Why not, indeed!  A seductive and swelling ensemble sound grew and embellished and became a gateway to sounds of select musics from Eastern Europe and beyond into Mother Russia, herself.  Andrew’s haunting cello solo early on only served to solidify this strong feeling of slavic song from far away.  And, when things kicked into double time midway through, all became one with the dance and romance of this perfect example of Gipsy Moon’s extremely diverse and very wide-ranging repertoire.  Lovely work from Silas on his mando, who proceeded to pick out the tune with perfect precision.  What a start to a wondrous show!  They followed such magic up with Mackenzie relating that, having just played at a dispensary earlier that day, they were inspired to play the next song, “St. Anne’s”, apparently written to the patron saint of such goings on.  Luckily, we have some mighty fine video of that song just for you!  Please enjoy. 

October 1st, 2016, was a special day for Gipsy Moon and a special one for the rest of us, too. That evening saw the band throw the CD Release Party for their new album, Sticks and Stones, at the Boulder Bandshell in downtown Boulder, CO. And it was a FREE show, too, to boot!!

Next up on the setlist was “Mama”, a song characterized by musical balance between the instruments creating a wonderfully unified texture amongst all the musicians on stage, to include Mackenzie on vocals.  And there was so much more incredible solo work from Conley and Herman all buoyed up so masterfully by Cantor on his deep, abiding bass and Mansour, the madman of percussion, who lends his own metronomic backbone to the entirety of the group.  This was only my third time seeing them since they added Mr. Mansour to the roster and, I must say, I just love the reinvigorated vibe of the whole shebang.  Omar’s contributions are already cementing themselves delightfully into what was already an incredible band.  Bravo!  “Come with Me” was our next offering of the evening, which featured Mackenzie on lead and Matt on vocal harmonies from the very beginning - always amazing and easy on the ears.  All this was marvelously counterpointed by Andrew’s silken cello line underneath.  This group has such an astute mastery over the best arrangement of their musical assets and this song was exemplary of this fact, no doubt.  Lots of great energy for dancing and keeping that crowd in the groove.  They slowed things down for “Blue Sky” which followed, taking things to that gorgeous place of gentleness and soft beauty that is such an easy space for this group to access.  More sweet and lovely harmonies from Cantor and Page ensued sliding over the mellow intensity of the harmonic instrumental framework being woven by Herman and Conley, Mansour keeping things light and airy from behind Mackenzie.  It was a truly gorgeous moment in an evening of just such moments.  “Dying of Days” came after “Blue Sky” and put the energy of the night back into dance mode.  This one is an old favorite of mine and one that definitely evolved into something all the more special with the inclusion of Omar’s drums.  As I intimated before, this is a really good marriage here.  Excellence all around to be sure.  And then we had a treat for this reporter:  an old tune from his Traditional Irish Music days:  “Banish Misfortune”.  Nothing like getting an actual jig to kick your heels up to!  Matt took the melody line on his bass with his bow and it made for the perfect intro.  Yet one more example of the varied song/tune roster this band has mastered in spades.  Passing the melody off to Silas on mando, Matt returned to the bass line only to come back in for some particularly tasty harmonies and then back to the solo once more.  And the crowd was eating it up!  Clapping and dancing and clearly enjoying themselves to the full, it was great to be a part of such a happy gathering.  A little on down the set, friend and fiddle player Etienne Cremieux (The Caribou Mountain Collective) joined in the fun for a few numbers, the first of which was “Dark Eyes”, a great standard from this crew.  Taken at a much slower and seductive a pace at the start, the song had nowhere to go but forward and fabulously more intense.  What a disciplined and steady build, too.  Made for quite the new musical creation from a familiar song.  And the addition of Etienne’s fiddle to the mix, you ask?  Like a fish to water, that was the fiddle poured into the mixture of Gipsy Moon’s stringed goodness.  Mackenzie was in really fine voice for this one, it must be said.  Just lovely work, good lady.  Conley’s back-and-forth with Cremieux, cello to fiddle and fiddle to cello and back again, all ending in harmonic excellence — what a ride that was!!  Much to the utter delight of the crowd…and why shouldn’t they have been delighted?  What stupendous musicianship!  And at a free show, too!  Oh, did I forget to mention the show was free?  Sorry about that…yeah, life is really good sometimes.  And everyone at the concert got a free (yup, that word again) download card for Gipsy Moon’s latest album, Sticks and Stones.  Pretty sweet, right?  Exactly.  Etienne remained for the next piece, a Greek song from the early 20th Century whose name I missed.  What a delectable Eastern Mediterranean feel this song had.  Instantly we were all transported to distant lands filled with exotic sights and sounds and aromas blown in on the trade winds.  More incredible fiddle tone sprinkled into this recipe for musical deliciousness made for a perfect rendition of this song in this moment.  Quite the adventure for those of us with our feet still planted in Boulder, CO.  Magnificent.  A bit on down the set from there came a Herman-written instrumental called “Daybreak”.  Hard to say anything else about this that doesn’t have to do with its pure and utter beauty.  If you have ever basked in the stark and amazing loveliness of a tune or a song, then this is one for you.  Great energy and some supremely fine writing make this one a pleasure, through and through.  Bravi to the entire band for making this version so fine for all of us!  “Once in a Dream” was the follow-up to “Daybreak”, another song that trades its deceptive and mellower intro in for the upbeat tempo of a dance song.  I, for one, love that about Gipsy Moon’s music…it takes you places.  All sorts of places.  Internal, external, metaphysical.  It’s really rather remarkable.  And we were off on yet another trip it would seem with the following “Caravan” whose instant energy was palpable and dance-worthy.  Mackenzie and Matt shared the vocals throughout most of the song in a delightful display of adept harmony.  I loved Silas’s prolific solo near the two minute mark.  His mando fit the entire musical framework of this one so well!!  Not to mention Conley kicking some serious ass on that cello of his.  That man never ceases to impress the hell out of me.  Certainly one of the fiercer cellists I have ever seen…his playing is really pretty wild and wonderful to behold.  Another favorite of mine was the next on the list that night, “Away We Go”.  And what an intense and deep version of this song it was, too.  Without even being able to put my finger completely on it, there was just something delightfully dark and mysterious this time around…and it was to be found in Silas’s mandolin, Mackenzie’s vocals, Andrew’s cello…all throughout the band.  The attitude in Matt’s bass playing was nothing short of nasty good and, my man, Omar, was nailing down beat after beat with liquid energy.  And then, just like that, sadly it was all over.  Time for the last song of this magical night with Gipsy Moon.  And, when you start a show out with vodka, what do you end with?  The only logical answer is “Gin”.  Of course.  What a sound epitomizing the very essence of this band and their supremely unique style!  Mellow to start and whiz-bang to end, this is another musical roller coaster steeped in the musics of a dozen nations and myriad folk the world over.  And, why not have Omar step up for a baller solo on all his drum friends?  Nothing short of spectacular.  One helluva way to close down a monster show like this!  But, wait, there’s more!  You guessed it…encore time!  “House of the Rising Sun”?  Are you joking me?  Perfection!  Slow and sultry and sweetly melancholy to start, this one beguiled and bewitched from beginning to end.  And then the upbeat hit us like a bullwhip as the song hurtled into higher gear unleashing a deluge of delightful notes from each and every instrument on stage, all hands a blur as they so deftly plied their trade.  Etienne was back in on fiddle for this one as well, lending his own brand of marvelous musical madness to the fray and it was the perfect icing for this Gipsy Moon cake.  A huge end to a huge show!  This truly may have been the best I heard and seen them yet.  No kidding!  By the last note, my gratitude and joy at having made this show were through the roof.  Such stage presence, such energy, so much of all that is good and awesome and mesmerizing in music.  And all under those glowing rainbow bands adorning the Boulder Bandshell — certainly made for a mighty confluence of wonderful things on the stage below.  A huge congratulations to the band on their new album and their very successful CD Release Party concert!  And a giant round of thanks to all five members of Gipsy Moon for their brilliance that evening!  So much gratitude to go around!!  And, all thanks toMackenzie, Omar, Andrew, Matt, and Silas.  Bravi!!

Gipsy Moon and Etienne Cremieux

Gipsy Moon and Etienne Cremieux

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