Viewing entries tagged
Jeff Austin Band

10th Annual Big Sky Big Grass - Big Sky, MT - Saturday/Sunday

Comment

10th Annual Big Sky Big Grass - Big Sky, MT - Saturday/Sunday

10th Annual Big Sky Big Grass

Festival Experience Archive

for The Lot Scene by Parker

Saturday

The David Grisman Bluegrass Experience - Sam Bush Band

    Late night Friday was a sea of pickin’ parties, libations, and great conversations.  Those wee hours of the morning really breakdown all the remaining barriers between musicians and festival goers to create something truly unique and special.  And tiring after a couple of nights in a row…sleep is always at a premium at Big Sky Big Grass.  But, hey, we’ve plenty of time to sleep in our graves, right?  After catching a few important hours of sleep and pulling ourselves together for another evening of music, it was time for Saturday to get going in full swing.  And, trust me, with the likes of David Grisman and Sam Bush in the mix, it promised to be quite an evening.      

    Sadly, I have to report that there were some severe sound issues for David Grisman’s set.  In the fact that the audience couldn’t really hear much of anything.  I am not sure if there were mic issues or soundboard issues, however, the point remains that if I cannot hear the music, I cannot report on it.  What we did hear of favorites like “Walkin’ the Dog” sounded potentially wonderful.  However, the technical gods were against us that night, it seemed.  A real tragedy for such a bluegrass legend as Grisman.

David Grisman Bluegrass Experience

David Grisman Bluegrass Experience

    Luckily the techs fixed the sound for the next act, the Sam Bush Band.  And thank goodness for that!  Sammy and crew came tearing out of the gate with a fiddle tune care of Mr. Bush.  This one turned dirty good by tune’s end, nice and gritty with a driving bass line from Todd Parks.  Really quite a baller way to get things all riled up in the Missouri Ballroom that night.  “This Heart of Mine” followed with Sam back on mandolin and featuring some really tight vocal harmonies and some truly fine guitar work from Stephen Mougin.  This, in turn, led to an excellent “One More Love Song” with Sam getting tender in the lyrics all the while absolutely jamming out on mandolin.  “I wanna sing you one more love song…why leave it this way?”  Why leave it that way, indeed, right Sammy?  Really liked that one.  The next one in line that night was the instrumental “By Stealth” which was a riveting run through some serious hard drivin’ fast pickin’ with each musician stepping up to show their skills.  Simply sizzling solo from Scott Vestal on banjo — definitely of note.  This kind of tune is precisely the perfect space to observe some intense musicianship in action.  And the Sam Bush Band did not disappoint on this front whatsoever.   This led to the foot-stomping good time that is “East Virginia Blues” with Sam, of course, on the vocals and mando.  Incredible guitar stylings from Stephen Mougin in this one — they really kept the drive of the song going full force.  Then Sam and company took us for a ride on “The Bluegrass Train”.  Nothing like a good train song, right?  And nothing like hopping on the train that is the Sam Bush Band for one helluva musical ride.  And what a ride it was, too!!  Nasty, nasty excellent mando solo from Sam here, just amazing.  Thanks for that one, Sammy, fellas!  Later on in the set came the touching and soulful “Circles Around Me” (“High in Telluride…”) and later still came a little Jerry Lee Lewis with some “Great Balls of Fire”.  And what fire there was, let me tell you!!  Grassing up a version of this one was definitely the right move — it was fast, fun, and full of up energy for everyone.  Especially that incredibly hot banjo solo from Scott.  Damn can that man play!  So quick!!   Another great cover came after in the form of Bob Marley’s “Is This Love” which instantly had the crowd tuned in and singing along.  A lengthy and lovely “Same Ol’ River” clocking in at 16:01 followed — talk about something you can really sink your musical teeth into!  What a journey!   Later on in the show, they closed with another fiddle tune, care of Sam.  Rollicking and rolling this one was a great way to end things for the evening.  But wait, they weren’t done yet!  There was a multi-song encore set on its was with lots of special guests!  The cast of characters you ask?  In addition to Sam and band we have Cody Kilby (The Travelin’ McCourys), David Grisman, Ronnie McCoury (The Travelin’ McCourys), Bela Fleck, amongst a few others gathered for some encore fun.  The first song up was “Little Girl of Tennessee” with Sam up on the vocals.  So much star power on one stage — how couldn’t it sound pretty damn amazing?  Which it did, of course.  Such great music.  And just stunning, stunning playing from everyone.  After two (yes two) more numbers it was time for the really big finish with “Bluegrass Breakdown”, a heart-palpitatingly quick race through some severely impressive fast pickin’.  One and all these gents threw down in superbly fine fashion bringing the main stage of the Missouri to a whiz-bang of a close for the night.  So very many thanks to Sam, his band, and their guests on stage that evening.  What a ride, what a rush!  Certainly only whetted the appetite for more bluegrass joy to follow on Sunday!!

Sam Bush Band & Friends

Sam Bush Band & Friends

Sunday

Billy Strings - Drew Emmitt Band - Jeff Austin Band - Keller Williams with The Travelin’ McCourys

    Sunday had found us once again but were still fresh and frosty and ready for a monster of a great time care of some premium bluegrass music.  It had been a long and luxuriant weekend as we basked in bluegrass clear up to our grinning faces.  And the best part about Sundays, my friends?  More music!!  That’s right.  More of that specific brand of awesomeness that we all thrive upon, that we yearn for.  The surprise TBD set ended up going to Mr. Billy Strings and we were all glad that it did.  Due to the Superbowl, the place was empty.  And I mean criminally empty — but, whatever.  Roll with it, right?  Private show?  You bet!  Billy started out solo crooning some songs and pickin’ tune for us.  He began with Doc Watson’s “Nashville Blues”, a perfect selection to show off the great balance between Billy’s amazing guitar playing and his lovely baritone singing.  Fantastic fast pickin’ and classic bluegrass singing.  What more could you ask for?  Continuing in that theme, we got a mighty fine “Brown’s Ferry Blues” care of Mr. Strings.  Sure didn’t seem like Billy had the blues to me, but, hey, you’ve gotta go with something on your setlist, right?  Plus he simply killed the first two songs.  Which made us eager to hear the minor and slightly morose “Wild Bill Jones” which was next on the docket.  A cautionary tale doled out in a gentle but powerful singing voice and counterpointed always by the ever-moving fingers of this young man’s magical hands as they fly over strings and fretboard.  A light and lively guitar tune medley followed comprised of “Give the Fiddler a Dram” and “Whistling Rufus” and “Ragtime Annie”, highlighting for one and all that skill plus talent plus hard work that is the musical might that is Billy Strings.  Billy credited Doc Watson for the inspiration for this medley.  Continuing with some more Watson, he next played a superb version of “Hold the Woodpile Down” which featured some blistering, blistering guitar action.  Not that we were surprised.  Just in awe as always.  Tyler Grant (The Grant Farm) came out and joined Billy for what he termed “guitarmageddon”.  Love it.  “Lost Indian”, a fiddle tune, was to be their first number.  And my goodness…two guitar greats such as these pickin’ away at the same time, on the same stage??  Forget about it!  Seriously.  It was mind-meltingly excellent all the way around.  So many incredible guest spots and collaborations at this fest!  I love it!  And then it was time for a vocal duet…sweet.  Another Doc Watson selection (am I sensing a theme?) and this time “Way Downtown”.  Super fine harmonies from the get-go — really great blend between the two gents on stage.  And the seemingly effortless intertwining of their guitar lines was just beautiful to behold.  Most certainly a great pairing here.  Would love to see more of this very act in the future.  Such good guitar work from both fellas.  So good!  A little later in the set the two of them gave us a a rousing “Gonna Lay Down My Old Guitar” especially given the guys singing this very song.  The thought of either of them laying down their guitars is almost anathema.  Listening back to my notes all I hear is just how much guitar is present at every point throughout these songs.  So many notes played with such skills and acumen.  It is so impressive — just makes me so very grateful that there are those of us out there who can and do play as such for all the rest of us to so thoroughly enjoy.  “My Rose of Old Kentucky” that stalwart standard and favorite came after, all of us still being treated to the joy of those double guitars.  This certainly was a Watson-heavy affair.  And I couldn’t have been happier.  Finally, as an encore, these two fine gentlemen played us an energetic and moving instrumental tune which had the growing crowd dancing and hopping to the rapid beat.  A truly lovely way to end a lovely set.  Bravo to Billy for all that he is and does!!  Bravo to Tyler for providing the perfect duo companion to share the stage with Billy!!  Bravi to them both for such exquisite music and a fabulous show!!

Billy Strings & Tyler Grant

Billy Strings & Tyler Grant

    And then it was time some Drew Emmitt Band all up in our lives.  Hells yeah.  Joining in on the fun were Sam Bush on fiddle, Tyler Grant on guitar, and Robbie McCoury on banjo.  Not a bad lineup.  Not a bad lineup whatsoever, my friends.  It appeared that we were in for a real treat.  And that treat got started off with a personal favorite John Hartford song:  “Steam Powered Aereoplane”.  I’m not sure that I’ve ever heard it better, to be quite honest.  Tyler Grant had a really excellent solo early on in this one…man do I just love his playing.  And what an incredible version of this song.  So happy to have gotten this one.  And as an opener, too.  The ensemble rocked out to a Leftover Salmon fave next with “Breakin’ Thru”, Drew leading the whole energetic gathering threw with his strong, distinctive voice.  And such a great ensemble sound coming from the stage already.  Just a testament to the utter professionalism and intensive skills of these musicians.  Not to mention the beast of an ending breakdown, Sam Bush tearing his fiddle bow apart as we all howled our appreciation and enjoyment from below the stage.  Such an electric finish!   However, it would seem I experienced some technical difficulties with my voice recorder (and best concert friend) for a few songs of Drew’s set.  Corrupted data, garbled playback, etc.  So, my apologies to you in that I cannot report on much of this show.  However, we trudge on, right?  Sorry Drew!  Sorry Drew band!  “Crossroads” by Cream provided the encore selection for the evening which saw Drew on electric guitar.  Sam Bush had an important fiddle solo smack in the middle of this one.  And it all sounded of pure excellence.  Rob McCoury flexed his banjo chops something fierce in this one as well.  A really awesome and fun set from the Drew Emmitt Band and Friends.  A perfect Sunday Funday band if I’ve ever seen one.  Thanks, gentlemen!!

Drew Emmitt Band & Friends

Drew Emmitt Band & Friends

    Jeff.  Austin.  Band.  Hells yeah.  Time for some gritty bluegrass attitude, shaken, not stirred.  A long and building instrumental opening led us to “Reuben’s Train” proper and, in no time, we were all steaming along on this mad locomotive with Jeff Austin at the wheel headed towards some seriously bonkers good music.  Hurling along with JAB down the electrified track that is one of their sets is always a rocking good time.  Seriously rocking.  And they kept right on rocking with a fast picker’s delight, “Time Ain’t Time”.  Such quick and rapid intertwining of instrument lines!  Gorgeous.  Amazing mando solo from Jeff in this one — that man plays with so much conviction.  Damn!  This was followed by an incredible solo from Ryan Cavanaugh on banjo.  A riveting ride from start to finish!  We were off to such a great start!  A mellow lead in from Jeff on mandolin to the next song provided a nice groove for us all to fall into.  “15 Steps” slowly crept up and hit us all full in the face with just that kind of song and feeling we’ve all come to expect from Jeff over the years.  Ross Martin (guitar) and Eric Thorin (bass) chose to get down and funky in the middle of this one, too.  Most certainly a groovy, groovy song.  Hard drivin’?  Fast pickin’?  You want those things huh?  Well, the “Red Haired Boy” that they gave us next was all of that and so much more.  They dedicated it to Billy Strings, too.  Isn’t that lovely of them?  Damn was this a fast one.  Blisteringly quick.  And played so well by all on stage.  Tight.  Nothing like getting an old classic like this from the Jeff Austin Band.  Cavanaugh got down and dirty in this one on banjo, really smoking that melody line.  This was answered by Ross Martin on guitar who funked things up a bit himself.  All in all, another thrilling ride on the JAB Express.  Next up on the setlist was “My Sisters and Brothers” a Charles Johnson song made famous by the Jerry Garcia Band.  Fant-freakin-tastic!  And then it was a lengthy and trippy “Ragdoll” which dominated the set.  Some serious exploratory moments wrapped in there.  It’s just good to see they’re still doing this song.  Love this one…but who doesn’t, right?  After that big entree of bluegrass dinner, dessert came in the form of a rollicking “Sideshow Blues”.  Cruising at top speed right up until end of their set, JAB pulled out all the stops that evening, including on “Sideshow”.  They came, they saw, they destroyed it.  JAB.  Incredible set, fellas…so many thanks for the music!  Very much looking forward to my next dance with the Jeff Austin Band.

Jeff Austin Band

Jeff Austin Band

    I cannot tell you just how excited I was to finally be seeing Keller Williams and the Travelin’ McCourys together on the same stage.  I’d been waiting quite awhile for that magic to strike me and strike me it did in full force that night.  All the boys assembled on stage surely meant some serious business from the very get go.  “I Am Elvis” is how they chose to ramp things up.  Talk about an album-quality show!!  Each song was so tight and so polished, if you closed your eyes it was hard to tell live from Memorex, so to speak (think I just dated myself there a bit haha).  “It’s all in my mind…I live inside my imagination.”  Well, it was certainly not all in my mind Saturday night at Big Sky Big Grass.  It was on the stage and it was bold, brazen, beautiful, and badass.  They took “Elvis” directly into a little Donna Summer with “Hot Stuff” and why not?  It’s not as if this group of stringslingers didn’t have the chops for this one.  Bouncing, lovely energy just cascading off the stage, Jason Carter’s fiddle lighting up the night like a beacon of pure sound, this one pulled the crowd into a merry den of musical mayhem and set us up right for the remainder of the set.  Up next was “Broken Convertible” with its tongue-in-cheek lyrics sung by none other than Keller himself.  Talk about another album-perfect one!  It really is a shame that Keller and the McCourys don’t tour more often together — this is one incredible act to see, my friends!  And with Keller changing the lyrics to reference a Sam Bush presidential bid/win, who could be disappointed?  Modest Mouse’s “Float On” came next in line for us — quite the surprise, but an excellent cover.  And Ronnie McCoury’s mandolin solo was something special to be sure.  Certainly another crowd pleaser for this tiny but voracious audience especially with the Dexys Midnight Runners “Come On Eileen” teaser thrown in for good measure.  After that, Ronnie was up to the mic to croon the vocals on “The Graveyard Shift” and he just nailed it to the wall.  Of course.  As if there could be any doubts as to that.  Simply splendid vocal harmonies in “Graveyard” to boot…always so nice to listen to.  And let us not forget Rob McCoury’s monster solo on banjo or Cody Kilby’s unequalled guitar skills throughout the song.  A stroll with the Grateful Dead followed in the form of a mellow and masterful “Candyman”.  Some Grateful Grass with the McCourys, eh Keller?  Maybe that’s the next lineup?  Maybe?  Would that it could be so.  How marvelous would that be?  An entire show of Dead songs thrown down by Keller and the McCourys??  Magnificence!  “Something Else” came on the heels of “Candyman” and was followed by Mike Doughty’s “American Car” — both of which sounded stupendous.  As you might expect.  Keller was in great voice all night, too…made for a near perfect-sounding concert.  It was Alan Bartram’s turn up at the microphone next for “Messed Up Just Right” one of my very favorite songs from the Pick album.  And Alan has such an awesome voice, too!  He really knows how to burn this song down.  Not your typical love song, but nonetheless incredible.  Tom Petty’s “You Got Lucky” was our next offering that evening…yes, you read that correctly.  Keller busted out some quality lyrics as the band really embraced this one, Jason Carter’s fiddle line capturing the melodic movement of the original.  And Rob’s driving banjo line was ever-present providing a forward motion to the whole song, grassing it up all the more.  They took this directly into a bluegrass version of Keller’s “Tweeker” which was something else to be sure.  One helluva great treatment of this song.  A whistled Andy Griffith theme song tease helped to keep us all on our toes through this string band whirlwind combined with Keller’s unique dance music.  Ronnie McCoury sure took the opportunity to slay on mando in the middle of “Tweeker” — righteous to a ’T’.  Different that’s for sure.  And fun as all hell.  A little later in the set we got the poignant and feelings-provoking “Price Tag”.  Really love this song and love the way they just own it even though it’s a cover.  Hard to believe that when faced with the gorgeous wall of musical sound that hits you like a velvet hammer.  “…we don’t need your money.  Just wanna make the world dance, forget about your price tag.”  There’s quite a lot of wisdom in those words, my friends.  Blake Shelton’s “Sangria” followed and then a rousing “Mullet Cut” came after.  What a setlist!  So much good music!  And they weren’t done yet!  And how about a little Foster the People?  Just when you thought this set couldn’t get any broader for bluegrass, a little “Pumped Up Kicks” comes along and smacks you around in all the right ways.  And Rob’s banjo solo?  Forget about it!  Just nasty!!  Not to mention his brother’s own brand of nasty on the mandolin to follow.  Talented family…no doubts there.  Sam Bush, Drew Emmitt, and Billy Strings joined the stage for the encore madness and madness it was.  The best kind.  Billy stepped up to the mic to belt out the lyrics to “Freeborn Man” for us as well all danced the night away, never stopping, never wanting to miss a beat, a note, a word…anything!  And how about that phenomenal Billy Strings guitar solo, too?  Hotness of the best kind.  Back to the Dead for a hot minute, the next encore selection was “Men Smart, Women Smarter” which featured a sizzling Sam Bush solo on mandolin.  Always a fun song, no?  Then came the final song of the evening:  a riveting and quick run through some bluegrass goodness.  This one was sung by Sam Bush and, sadly, I didn’t manage to catch the title for you.  Just know this:  it was teeming with incredible musicianship from every gent on stage, just oozing musical awesomeness at every turn.  And one amazing way to close things down on the main stage in the Missouri for the 2016 Big Sky Big Grass.  So very many thanks to Keller and the McCourys for such a superb night of music!!

Keller Williams & The Travelin' McCourys

Keller Williams & The Travelin' McCourys

    And then, sadly, it was all over.  The 10th Annual Big Sky Big Grass had concluded and done so in great style.  We had been welcomed over and over all weekend until we felt a part of the Big Sky family and we so grateful for the experience.  If you’re looking for a unique festival that boasts amazing music and some really cool other aspects then look no further.  Consider a jaunt up to Big Sky…make the trek.  Talk about bragging rights, huh?  Thanks for reading, everyone!!  Hope you enjoyed it!!

Late Night Pickin' Party

Late Night Pickin' Party

Comment

DelFest 8  - Festival Experience Archive - Sunday

Comment

DelFest 8 - Festival Experience Archive - Sunday

DelFest 8

Festival Experience Archive

for The Lot Scene by Parker

Sunday

Sunday.  The back stretch.  The last leg.  The Final Countdown.  Sleepy morning.  Sunshiny day.  Perfection.

The day for gospel sets and river floats and tying a huge party-shaped ribbon around the last day of one of the “bestest festests” on our planet.  The energy was ebullient and bubbly that day, the weather had been getting all the more perfect all weekend culminating in a day just ripe for music, merriment, and more, more, more blessed bluegrass all up in our business!  This was a huge day of music…I suppose I had better get to telling you about it.

Grand Ole’ Ditch

Nothing like Cumberland’s own to get things going on a Sunday, right?  I was really excited to see these fellas tear up the Potomac Stage once again, and with good reason.  The lads kicked things off with a rather fine “Graham Central Station” instrumental which was the perfect way to get things going on such a lovely Sunday.  Then it was time for a little string song with “Blue Light” — “I’m going down to that blue light, where the music plays all night”.  Love it.  Maybe they should consider getting blue lights to mark out the Late Night shows at DelFest?  And who doesn’t love a birthday?  Well nine-year-old Meg in the crowd received a special dedication of “Allegany Sun” (written by Matt Hamilton of Virginia) for just such an occasion.  And she was a lucky lady given how great it was.  Definitely one of my favorite songs of the set.  Then things got a little rock’n’rolly with “Roll with the Punches” followed by the mysterious and minor-run-laden “Dark Rider”.  Further on down the set was a sweet and lively guitar tune named for one of the instruments in the band, “79-28”.  One doesn’t often get a tune inspired by and named for an instrument played on that very instrument, to be sure.  Fiddlin’ Ray stepped up to the fore to saw out a hot fiddle tune named “Dragon’s Breath” for us next and it was superb.  Great interplay between the other instruments and the fiddle.  It was starting to feel more like “DeadFest” than DelFest given all the amazing Dead covers we’d been getting thus far.  And Grand Ole’ Ditch wasn’t going to disappoint, instead giving us a fantastic and mellow “Candyman”.  To the utter delight of those assembled, of course.  What a weekend for the Dead and bluegrass!  (And it wasn’t done yet, but more on that later.)  The boys continued later with a slow, swung “Baby Jane” followed by a hopping “Cabins in the Laurel”.  Time for some dancing anyone?  With this band, you’re pretty much assured to be on your feet and romping around — and you’ll be in great company.  And this “Cabins” had us all moving merrily about.  Keeping that energy high, the Ditch boys finished up with a simmering “Foolish Pride”.  Wowsers, what a set!  So glad to have caught these fellas this year at DelFest.  Very much looking forward to seeing them again soon!  Colorado tour, mayhaps?

Hot Rize

Due to some interview scheduling concerns I missed the first part of Hot Rize’s set, more’s the pity.  However, I will talk about what I did see since it is Hot Rize and since they are incredible.  You know.  As I walked up to the Main Stage, the four gents based in Colorado were singing their gospel song, “The Way”, from their new album which features some of that pitch-perfect four-part harmony for which this band is renowned.  That is one of the most rewarding aspects of this genre, in my opinion:  the widespread occurrence of really good solo and harmony singing.  Simply put, bluegrass music has a wealth of great voices that know how to be used properly.  And it shows.  And we are thankful.  So thankful…especially for bands like Hot Rize.  Taking a crowd request, Tim O’Brien stepped up to sing “99 Years” next and they, of course, nailed it.  Point of interest:  Pete’s banjo didn’t show for the festival so Pappy of Cabinet lent Pete his own banjo to play.  Pretty nice, right?  And Pete most assuredly did Pappy’s instrument proud.  I love those little ins-and-outs stories from fests like this one.  One of my very favorite Hot Rize songs was up next, “Blue is Fallin’”, a brutally honest testimonial (not sure if it is Tim’s or not) about what I surmise is either clinical depression or bipolar depression.  From my own understanding of these diseases, this song hits the nail right on the head.  Either way, it is an emotional, intense song and I just love it and am so glad they played it.  At the end of the set, Del and Ronnie were invited out to sing a Bill Monroe ditty with the boys which was pretty much traditional bluegrass heaven for all of us.  Sad that I missed so much of the show but ecstatic that I got to see any at all, it was time to get ready for more music with Lake Street Dive.

Lake Street Dive

Admittedly, this was my first time seeing this band, although I had heard a lot of hype from a great many friends.  I was looking forward to seeing if they hype held up (not that I doubted it would).  It did.  Certainly the most rock sound of the bands at the fest this year and with unique instrumentation, this group centers around the incredible vocal talent and skill of their front lady, Rachael Price.  The showmanship was akin to some of the bluegrass groups in attendance, though, with different members moving around the stage to join others or to gather in close ensembles.  While I don’t know much of their original music (a situation I tend to fix), some of the recognizable covers were quite enjoyable.  Annie Lennox’s “Walking on Broken Glass” was one of these.  A lighter version of the song with some nice trumpet, Rachael also nailed down the iconic vocals in fine fashion.  Later it was Van Halen’s “Jump” and, even though we lacked the guitar solos we crave from the original, I’d have to say her version beat out David Lee Roth’s.  An unexpected cover to be sure.  Their final song was one of theirs, “You Go Down Smooth”, and it was off-the-chain good.  Between the great ensemble sound of the instrumentalists to Miss Price’s trademark voice, it was a fine ending to a standout set at DelFest 8.  Again, I have to say how much I am looking forward to following yet another band.

Leftover Salmon

Salmon was meant for this festival, no doubts there.  Spanning myriad genres but still able to throw down some mean bluegrass, the boys from Leftover came out swinging on the Main Stage with Hartford’s “Up on the Hill Where They Do they Boogie” (a favorite of mine and of, well, just about everyone out there).  Helluva good way to start things out for us!  Drew on vocals for “Down in the Hollow” came next and it was just fast pickin’ epitomized.  Hot damn is this band good!  Listening to my voice notes again was just giving me chills.  Oh, and can Bill Payne play those keys or what?  Damn, sir!  Great musical addition to the band to be very sure.  “Sometimes a River” followed and then Del joined the fellas (to a round of “Del! Del! Del!” chants) for one fantastic “Midnight Blues”.  Nothing whatsoever like having our good ol’ Pappy Del lend that signature voice of his to an old favorite.  Bill Payne’s song “Way Down Under” featured a particularly wonderful Andy Thorn solo on banjo, Payne’s piano a perfect backdrop.  Later in the set the lighthearted “Liza” lit up the stages and our hearts alike.  Any chance to see Vince being silly, being amazing, being Vince…well, that, my friends is a mitzvah.  “…I’d swim a hot tub, I’d climb a tree.”  Love it.  Just as much as I love my native Colorado, subject of the subsequent “High Country”.  I mean, who doesn’t want to be in the high country all day?  We all did there in Cumberland at that moment, I can assure you.  A truly special moment was in store when Tim O’Brien (Hot Rize) joined Salmon for a badass rendition of Bob Dylan’s “Man Gave Names to All the Animals”, nine-and-a-half minutes of musical weirdness and genius and enjoyment all rolled into one.  And it was top notch I tell you.  Top notch!  Tim stayed up there, thankfully, for a galloping funhouse of “Let’s Give a Party” which dumped massive amounts of ants in our pants and hurried us along towards the end of the set with a hot and lengthy 12:21 “Aquatic Hitchhiker”.  “Rag Mama Rag” was the closer of this lovely Leftover show and the boys certainly brought it to the end.  Del yeah for Sunday sets like this one!!  Del yeah for Leftover Salmon!!

The Del McCoury Band

Well, here it was, the keystone of the musical weekend:  Del and the boys’ Sunday Main Stage hootenanny, a set the grand majority had been anticipating the entirety of the festival.  The weather was delightful as the evening descended upon us, the slowly blanketing darkness punctuated by solitary stars poking through, one lazily after another.  A prime setting for a little bluegrass music, Del McCoury style. “Loneliness and Desperation” started things off on a bluer foot than one might expect, however, little things like Jason Carter’s stellar fiddling or Del’s emblematic voice brought all our spirits far above the lyrics.  Slowing things down a bit next with “Count Me Out” the band exhibited some of those perfect harmonies for which they are so well known, always a treat and one of the better aspects of bluegrass music, in my opinion.  They wasted no time ramping things back up again to a wicked clip with “Bluegrass Breakdown”, the first bluegrass instrumental ever, written by Bill Monroe who had Scruggs pick it out for him.  And, man, did Del and his fine fellows break it down!  I imagine they took it at a slightly faster pace than did Scruggs, however, I haven’t done my research to find a recording so the jury will have to be out on that for awhile longer.  How many times will I mention the musical ability of these men?  How many times could possibly be too many?  If you even remotely like good music, hell, even if you hate good music for some reason, I believe that you would be wholly blown away by watching these gents practice their art together.  Ronnie stepped up to the mic for the loving, mournful “Body and Soul” and from the first notes he sang, the crowd erupted with appreciation, loving what they heard.  And how couldn’t they?  The man has one hell of a bluegrass voice.  Simply said.  Then it was time for some branding-iron hot banjo pickin’ from Rob during an instrumental he led followed by “This Kind of Life” and then a fiddle tune headed up by none other than Mr. Jason Carter.  Talk about a deluge of delicious string band delights!!  After that it was the song that helped win Del his Grammy, “The Streets of Baltimore” — Del sounded tremendous on the vocals and the fellas backed him with style.  Later in the set was the ballad of a wicked man, “Eli Renfro” — “can’t you hear, can’t you hear?”  The crowd surely heard a great version of this one.  “Mountain Song” had a few forgotten lyrics, but who cares?  As Del said, they make “good fill break[s]” — who am I to argue with him?  Woody Guthrie’s “The New York Trains” came after, a song Guthrie wrote on his very first day in New York City about his impressions of life there, et al.  As usual, a Del Band show is as educational as it is entertaining and inspiring and happy-making.  Time for a love song at last:  “You Took Me In Out of The Rain”, a duet for Del and Ronnie that had the audience clapping along from the start.  Always nice to hear a song about love that goes right in this genre, right?  True to form later in the set was the gospel corner with “Get Down on Your Knees and Pray” featuring some fantastic vocals and harmonies from the entire band.  Truly great stuff…love when they go gospel.  This was followed by a furious, frenetic, freakishly fast “White House Blues” — just when you think you’ve seen these guys play at their fastest yet, they go and do something like this.  Not an errant note in the bunch and I must have clocked them at a billion notes a minute.  Give or take.  Lots and lots and, seriously, lots of them that’s for sure.  And just as fast as it had begun it was over and time for Roosevelt Collier to join in on pedal steel and Evan McCoury on guitar (whom Del said he rarely brings on stage since he such a good guitar player) for Shawn Camp’s (Earls of Leicester) “My Love Will Not Change”.  The additions of Collier and the younger McCoury were, in a word, wonderful.  Such a wall of sweet, sweet sound rolling down from the stage.  A very nice way to end an extremely nice show.  But, wait…there’s more!  An encore, you say?  How about a little “Smoking Gun”?  Just like that coffee of yore:  good to the last drop.  Just like this show, just like this show.  Thanks for another magnificent one, Mr. McCoury, and many thanks to your marvelous band!  And thanks for another stupendous DelFest!

Late Night - The Jeff Austin Band - The Travelin’ McCourys

Here it was, the last of the late nights and what a freakin’ line-up.  After the J.A.B. explosion on the Main Stage we were all poised and ready for some more of that same magic here after midnight.  And we let it all hang out dancing to Jeff and his merry musickers as they gave us frenetic, funky fast pickin’, Austin-style.  A mellowish “Screen Door” kicked things off with a long, dreamy, entrancing jam at the end which eventually led into “Shake Me Up” for a combined total of almost a half hour’s worth of music.  Super, my friends. Just super.  Jeff reminded us all that the fest wasn’t over yet as he led into “Simple Truth”.  Of course, he also reminded us about work the next week.  Thanks a bunch, Jeff.   But, really, thanks a bunch for such good music all weekend.  The second-to-last song of the set was a speedy, rifle’s bullet of a “Sideshow Blues” complete with a DelFest-related soliloquy from Jeff about how we should all form a community that lives on the Allegany grounds all year long.  Sounds like a good idea to me!  The closer for J.A.B. was a lengthy and lovely “King Ebenezer” weighing in at 27:07.  A milder-than-expected but still incredibly good late night set from Jeff and company.  Absolutely put us all in the mood for some Travelin’ McCourys ready take the stage next.  Now was the time for some severely lightning-fast pickin’ to end this festival for good and for right!  The boys fired up the sizzling griddle of grass music with a quickly played quick “Quicksburg Rendezvous”, although I hardly remember anything about it since I was dancing so much.  This gave way to Ronnie on vocals for the despairing “Deeper Shade of Blue”.  It was straight bluegrass bullet train through Jason Carter singing “I’m Southbound” (which contained a stellar set of solos from Ronnie, Rob, Jason, and Cody) and “Old Train” and then slowing things up for “Delia’s Gone”.  A fast and fun “Foggy Mountain Breakdown” came and kicked the fog from anyone’s brain at that wee hour in the morning and we were all glad for it.  Later on in the set we got one of my favorite songs by this crew:  “Messed Up Just Right”.  What can I say?  I like songs with clever lyrics.  Oh, and songs that are really good and also sung by Alan Bartram.  But hey, I can be particular sometimes.  Like how this song was particularly good that late night.  And then, hey, they threw down “Cumberland Blues” once more because someone had asked them to.  And, truth be told, it was better this time around.  More polished.  And that would make sense.  Hell, I was just glad to be getting it again.  For the last four songs of the night the McCourys had Roosevelt Collier sit in to provide some of that crazy steel slide action of his.  The first song of this collaboration was “One Way Rider” followed by a 10:56 “Loser” — Grateful Dead at DelFest 8 until the bitter end!!  Again, “Loser” was improved over the night before and I was very, very grateful to be getting it, believe-you-me. Their final song and the final song of DelFest 8 was an old Lee Boys number with Roosevelt providing some amazing train sound effects on his slide.  Over fifteen minutes later and we were all still wondering what the heck just happened to us, both that set and that night and that weekend altogether.  Well, I know what happened for me:  the best DelFest yet.  Now, granted, I have only been to two, but this one was so damn wonderful that it guaranteed my place at next year’s DF (as if that were really necessary).  Just great for me to be able to relate such good information and good news to you guys again this year.  Already looking forward to doing the same next year!  Thanks for reading everyone…hope you enjoyed!  

Del yeah!!!



Comment

DelFest 8 - Festival Experience Archive - Saturday

1 Comment

DelFest 8 - Festival Experience Archive - Saturday

DelFest 8

Festival Experience Archive

for The Lot Scene by Parker

Saturday

So, when you reach the DelFest halfway point of Saturday morning, when you emerge from your shelter-of-choice and look up at the green mountains and gray bluffs and the warm, friendly sun set in the bluest of blue skies, when you find yourself at that very moment, you know you are onto something good.  Damn good.  Like all the damn good music you’ve already heard.  Like all the damn good music you’re still yet to hear.  Like all the damn good fun you’ve had and are having and will continue to have! Del yeah!  You see?  It’s all about the gratitude list and how you choose to access it…is DelFest on your gratitude list?  It should be.

Dre and the DelFest Collective

For the first music of the day, we headed over to the Music Hall to check out Dre and the DelFest Collective.  This rotating band comprised of DelFest’s Who’s Who is headed up by Dre, a lovely lady with a lovely voice and a fine manner of bringing out the best in an ensemble of friends.  For this show?  Friends like, oh, Jason Carter and Sierra Hull, for instance.  And Ronnie and Rob McCoury.  And many others.  Some particularly jazzy and funky numbers allowed Sierra to showcase some excellent skills on the octave mandolin (an Irish bouzouki player myself, I was happy to see one of the “big mandos” up there) and Jason to do his usual, simply stunning thing on the fiddle.  I certainly found myself a quick new fan of Dre and her accomplices.  And what a nice person, to boot!  Very much looking forward to seeing them again next year, or even touring?  Ahem!  Dre? 

Del and Dawg

The grand old men of bluegrass music.  Two venerated veterans of strings and all things grassy and blue when it comes to music and life, this show is one not to be missed.  One should endeavor to never pass up a chance to see either of these gents and together, what a presence.  These monumental gentlemen chose to open with “Have a Feast Here Tonight” (or “Rabbit in the Log”), a crowd pleaser from the first licks Grisman laid down.  There is certainly something to be said for the caliber of their harmonies, Del’s tenor over the top of Dawg’s baritone:  two men who have been singing, and singing together, for a long time.  Fifty-two years they’ve known each other if memory serves me correctly.  And it shows all over their musical interaction.  The sad and sorrowful “Shackles and Chains” followed, allowing for a bit of crooning from the two fellows on stage. A sprightly little Grisman mandolin tune led us to “A Man of Constant Sorrow” which, thanks to a certain unnamed movie, will always be a pleaser of the crowds.  And why not?  Especially when Del and Dawg do it up so right!  And then Grisman on vocals for a bit of humor with “I’m My Own Grandpa” — I’ve loved that song since a child.  Always makes me smile and laugh…and Grisman did a great job of making it happen again.  The remainder of the set finished very strongly with some Gospel influence and more grass — a lovely time.  Perfect preparation for a little Jeff Austin Band to come…

Jeff Austin Band

 What intro does this Jeffgrass powerhouse recently unleashed upon all of us really need?  None, really.  Because early into the set “15 Steps” was melting faces, including that of Jeff Austin, apparently.  I enjoy that I keep seeing this band wherever I go:  each time they are that much tighter, that much more polished.  I shudder to think how incredible this band will be in five years’ time.  Snagging another selection from his recent album, the light and playful “Fiddling Around” was next.  Definitely dig that song quite a bit and J.A.B. did it quite a justice live that day.  Jeff dedicated this next song to the McCoury Family and all the rest of us there gathered:  “The Promised Land”.  It was a sweet and heartfelt dedication from a man who was visibly grateful to be at DelFest doing his thing for us with his new band of music mercenaries.  And they took that gratitude and spun it around, got loose and funky, and turned it into one hell of a “Ragdoll” peeping in our window shades. I really cannot express in words alone how good the music and musicianship was during this set.  I’ve heard many people say this was one of their very favorites.  And so I’ll share a small piece of it with you here:  J.A.B. Main Stage  See?  Pretty damned incredibly good, right?  That’s how I’d sum up the entire show:  pretty damned incredibly good.  Again I wonder at where they will be in a few years.  Can’t wait to see!

The Travelin’ McCourys

Saturday night, Main Stage, McCourys.  Go!  Who at this festival wasn’t looking forward to this set?  I can’t imagine a single soul.  Straight into it was a fast pickin’ “Walk Out in the Rain” featuring everybody being incredible throughout the entire song, not to mention Ronnie’s crystal vocals and the always perfect backing harmonies.  Next featured some handsome vocals from the handsome fiddler known as Jason Carter with “Lonesome, Ornery, and Mean”.  It is always hard to know which jam to mention and even what to say sometimes.  The level of performance on that stage from individual to ensemble to the magic of it all, well, it is indescribably fine and tuned and completely entrancing.  Precisely the way music should be, just like they way they threw down on that last song.  Swinging the hammer, “The Shake” featuring Alan Bartram on the mic came next and went into a rollicking jam-filled “Cumberland Blues” to the delight of the entire crowd, Grateful Dead nods always appreciated, but of course.  Del was on the side stage for all of “Cumberland” and the smile on his face told the story of every face in the audience — it was a marvelously good version of this song with some really interesting and “non-traditional” harmonies as well as a simmering breakdown at the end.  As to be expected. However, before I go any further, I have to  address the dress of the band.  Not in a bad way, to the contrary.  These fellows came out looking snappy, snazzy, and ready to blow some minds with miraculous music.  Ronnie’s jacket almost made him up as a proud peacock, Alan was in a “good guy’s” white jacket juxtaposed to the blacker outfits of Jason and Ronnie and Cody.  They all looked fantastic.  As well they should.   Next up was “I Live on a Battlefield”, a Ronnie-led number with soul and heart.  It is a current favorite around The Lot Scene offices.  And it has every right to be — this song his the hotness.  Not sure I really need to say much more about it.  Oh, except the harmonies.  Those delectable, sharp, sonorous harmonies.  Well done, fellas.  I really like the next song because of the funky, funky chord progression throughout. The motive is really moving and anchors the piece from section to section.  This song in question, “What’s the Difference”, featured Jason Carter on vocals and Ronnie on some particularly fine mando work in the mid regions of the piece.  Joe Craven joined the boys for a “Lil Samba” playing the bongos and peppering in some sweet vocal percussion (oh, Joe Craven, you) and he remained for the McCourys’ tribute to the late B.B. King with “The Thrill Is Gone”.  Evan McCoury, Ronnie’s son, also joined in for “The Thrill”.  Man can that kid play.  Wow.  You should have seen Ronnie’s face while Evan played:  pure proud papa.  Grinning from ear-to-ear, just like his own daddy.  Bartram’s “Rocky Road Blues” followed, a swinging, bouncing little number that had a blue-ribbon fiddle solo from Jason.  Later on Del came out on stage to join his sons and friends on vocals for Ronnie’s “On the Lonesome Wind” and then into wicked fast pickin’ version of “Shady Grove”.  Impossible to follow the hands and the bow on stage as they plied their instruments impossibly fast to eke out impossibly good music from them.  Need high speed camera equipment.  For starters.  Finally the second-to-last selection of the evening was “Loser” by the Grateful Dead, which came with a nice story about Jerry Garcia’s thoughts on Del McCoury.  Trust me, they were good.  OK, I’ll tell you.  Jerry said of Del that his vision of the Bluegrass Boys and their music was of Del and his guitar.  Pretty neat, right?  As good a version that I’ve heard of this classic known by heart to all watching up at the stage, with Ronnie on electric mandolin.  Suffice it to say, it was a fair deal for all.  Many thanks to the band for throwing us all such a great gift.  Last but certainly not least came the truckin’ “Travellin’” a sort of signature song for this fiery hot ensemble of insane, incredible music made incarnate.  A stomping down great end to a mind-twisting show.  The questions remain…how do they play all those notes?  So many notes…  What a show, what a way to close out Saturday at DelFest.  Thanks to the McCourys!


1 Comment