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Telluride Bluegrass Festival 2015 - Festival Experience Archive - Thursday

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Telluride Bluegrass Festival 2015 - Festival Experience Archive - Thursday

Telluride Bluegrass Festival 2015

Festival Experience Archive

for The Lot Scene by Parker

Introduction

For years people had been saying to me:  “You mean, you’ve never been to Telluride?!?”  And it wasn’t for lack of desire, believe-you-me.  But hearing the same thing over gets a bit tired after awhile you know?  So, I figured that 2015 was the year to change all of that and stymie any such questions in the future by heading to the 42nd annual Telluride Bluegrass Festival.  And I, for one, am so very grateful and happy that I did.  While a remote distance from most major metropolitan areas, the bucolic mountain town of Telluride sits in a magnificently lovely part of southwest Colorado.  As such, so worth it.  Our drive from Boulder was a long one, however, when compared to countless other lengthy travels to get to other festivals, this one was, in a word (well, words), downright pleasant.  Heading through the rugged Rockies, over panoramic mountain passes, past streaming waterfalls and jutting rock formations, and through charming old mining towns, each new sight was a new wonder and joy.  Suffice it to say, the drive, while long, is not uninteresting.  It is breathtaking.  And, let’s just call it what it is:  a gift.  No doubt that it puts one in an incredibly excellent frame of mind for a marathon four day bluegrass bonanza in one of the stunningly prettiest settings on our planet.  Arriving into town Wednesday night we were all taken aback by the quiet, charming, and lovely little community surrounded on all sides by painted mountains covered with trees and topped with snow whose sides were carved at intervals by the plummeting white waters of alpine falls.  Adequate words fail me to convey to you the beauty of Telluride town if you’ve never been.  So, I guess you had better get there, right?  But, in the meantime, let me share a bit of what happened there this year starting with Thursday.

Thursday Highlights

The Jerry Douglas Band - Robert Earl Keen - Dave Bruzza & Dave Simonett 

I admit, I was excited as Jerry Douglas and his band took the stage as this was my first time seeing them.  I know, I know.  But, I was seeing them that day and that was more than good enough for me.  I am biased towards the dobro as an instrument, it’s true, and one in the hand of an artist just as Douglas is a sight to be seen.  And heard.  As the first strains kicked to life, so did the festival around me, all of us reacting to the music emanating from the stage.  It was early in the day and early in the fest and already the energy level was rising, people dancing, faces smiling, hands clapping madly at the end of each tune.  Plainly, Telluride was the kind of festival that lives up to all the hype.  And then makes some more.   And then invents a little bit extra still after that.  And then lives up to that new expectation…and then exceeds it.  Like with Jerry Douglas’s unique rock’n’roll dobro groove for instance.  As in Jimi Hendrix.  On dobro.  Played by Jerry.  “Hey Joe”.  Excellence.  What a supremely good cover that was.  It was fun watching the band all keep up which is impressive since two of them did the DelFest to Telluride “Delluride” bike trip between the two festivals.  Really impressive, huh?  Jerry and company finished up with “Who’s Your Uncle?” as their last tune which featured dobro and fiddle doubling the melody in a show of some very fine musicianship.  Then, once the drums kicked in, the whole affair became another foot-stomping dance tune, and the crowd most certainly followed suit.  I am really looking forward to seeing The Jerry Douglas Band again soon once I’ve had a chance to familiarize myself a bit more with their music.  Because their music is fantastic.  Robert Earl Keen was up next to bring a bit of country into the mix for us.  And yet an early song in his set was “1952 Vincent Black Lightning” which they played in a style very reminiscent of Del and his band.  A nice recognizable treat from a musician with whom I was not very familiar.  But Mr. Keen put on a great show, replete in his pink jacket and hat and looked every part of many of the festival goers around me.  Kudos for tapping into the vibe, sir!  They also played the light “Footprints in the Snow”, a song from their newest album.  All told I enjoyed Robert’s hour-plus set more than I thought I was going to, country not being my go-to genre.  But this festival did start out as the Telluride Bluegrass and Country Festival so I suppose it is apropos to keep the tradition alive.  Way to do just that, Mr. Keen!  After that we moseyed on to the secondary stage at Elks Park to hear Dave Bruzza (Greensky Bluegrass) and Dave Simonett (Trampled by Turtles) play some Bob Dylan songs for us in the afternoon sun.  Opening up with Simonett on “Tonight I’ll Be Staying Here With You” they continued with Bruzza singing “Day of the Locusts”, both of which were stylistically in sync with Dylan himself in many ways.  They continued with a grooving, yet chill “Outlaw Blues” featuring Dave Simonett.  Finally, the last song we caught was Bruzza’s “When I Paint My Masterpiece” a familiar song to Greensky fans.  It was a really compelling set — I really dig Bob’s work and love hearing other musicians’ takes on it and the Daves did right by Dylan in my opinion.  After a quick break, we hightailed it back to the Main Stage for Hot Rize as fast as our legs could carry us, not wanting to miss a note from that infamously awesome Colorado band.  

The Jerry Douglas Band

The Jerry Douglas Band

Robert Earl Keen

Robert Earl Keen

Hot Rize - Red Knuckles & the Trailblazers - The Telluride House Band

Walking up to the sounds of “Nellie Kane” coming down from the quartet on stage, I was already smiling ear-to-ear.  Then, standing under the azure blue skies of western Colorado as we listened, it only seemed right for Tim O’Brien to sing us an apropos “Western Skies”.  Which he did.  And did very well.  Next up we got the light and lovely but slightly sorrowful “You Were On My Mind This Morning”, another song from their most recent album, When I’m Free.  My favorite song from these fine fellows was also included in the set:  “Blue Is Fallin’” which sounded excellent.  As always and increasingly so, I was very grateful to get to hear this selection from their repertoire.  Then the boys got a little Gospel on us and sang the superb harmony-filled “I Am the Road” — such tight, well-sung harmonies like that are what so many strive for in bluegrass but few achieve to this level.  A treat to hear each and every time.  Then came “Come Away”, that wistful, pining, beseeching tale of love lost and love that could be.  No matter what you say, “Doggone” came next (see what I did there?) which, like most of Hot Rize’s songs, I liked from the first moment I heard it.  And I still do…and certainly did at Telluride.  O’Brien lamented the mournful, cautionary “A Cowboy’s Life” for us which set us up perfectly for a showing from Red Knuckles and the Trailblazers, that cowboy band that travels with Hot Rize from time to time.  This time Elmo Otto (Sam Bush) was guesting in with the Traiblazers as well as Elmo Otto 2 (Identity Unknown), both on fiddle.  Absolutely made for some great cowboy music!  Like “I Know My Baby Loves Me” for instance.  And some pretty hilarious joke songs like “Bake Shop Boogie” about the antics at a cannabis bakery.  And, always the comedic stylings of Waldo Otto.  But, of course.  However, all good things must come to an end and soon, the ‘Blazers were being rushed off-stage once more by Hot Rize who returned with the instrumental “Glory in the Meeting House”, another favorite of mine from the new album.  Really reminds me of a lot of tunes from my trad Irish music days — a tune you can really drum to.  They picked an old song of theirs out of mothballs for us next:  “Radio Boogie”.  One I had never heard but would love to hear again.  All night, all four of them had been on fire musically, seemingly really tapping the whole Telluride vibe and channeling that energy through their music and to us.  But their supremely fine musicianship is no surprise to anyone who knows Hot Rize.  Ending with McCoury’s “High on a Mountain” these stellar fellers put on a characteristically great show with some great use of available guests.  And they set the stage and scene perfectly for the Telluride House Band up next.  House Band.  What a term for this ensemble gathered.  This bluegrass supergroup.  Sam Bush, Edgar Meyer, Jerry Douglas, Béla, Bryan, Stuart…you get the idea.  A list of greats very great at what they do.  And what they did was probably in the top two sets of the entire weekend.  And on Thursday.  Way to set the bar high, fellas.  They opened with “Make Me a Pallet on Your Floor” kickin’ out some Gospel for us right from the get go.  Then it was time for some hard drivin’ bluegrass singing with Bryan from Hot Rize followed later by none other than the “Pink Panther Theme”.  Yes, you read that correctly.  The “Pink Panther Theme”.  On banjo and dobro and fiddle, etc, and it was hilarious.  And amazing.  What a “cover”!!  Good old fashioned fast pickin’ was name of the game with “The Snowflake Reel” with so many intense and intensely good solos from these virtuosi there present.  What a privilege to watch so much talent and skill combined on one stage together.  Incredible.  They grassed-up the Waylon Jennings song  “I’ve Always Been Crazy” for us next followed by a sea shanty of all things.  This band was all over the place tonight and it was great.  Sammy Bush sang us a wonderful “How Mountain Girls Can Love” with that rich baritone voice of his and later sang us some old Doc Watson as well.  Just can’t get me enough of Sam.  But who can, honestly?  “Play It Straight, Strive for Tone” was an Edgar Meyer-led instrumental that was true to its name as each of the world-class musicians showed us just what their chosen instruments could do.  And, finally, before the crowd could take anymore, they brought Tim O’Brien out to add his own unique energy to the mix for “Workin’ On a Building” to close down the Main Stage for the evening.  My goodness, what a set that was.  So much extremely first-class music and so much first-class musicianship.  Honestly, even knowing the lineup, it was going to be hard for the days to follow to measure up to such a lofty benchmark as Thursday.  But, I was certainly going to cheer them on as they tried.  Thankful for Thursday we made our way off to enjoy some late night with The Drunken Hearts.  Time to relax and just listen.  

Hot Rize

Hot Rize

Telluride House Band

Telluride House Band

Stay tuned for Friday!!

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DelFest 8  - Festival Experience Archive - Sunday

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DelFest 8 - Festival Experience Archive - Sunday

DelFest 8

Festival Experience Archive

for The Lot Scene by Parker

Sunday

Sunday.  The back stretch.  The last leg.  The Final Countdown.  Sleepy morning.  Sunshiny day.  Perfection.

The day for gospel sets and river floats and tying a huge party-shaped ribbon around the last day of one of the “bestest festests” on our planet.  The energy was ebullient and bubbly that day, the weather had been getting all the more perfect all weekend culminating in a day just ripe for music, merriment, and more, more, more blessed bluegrass all up in our business!  This was a huge day of music…I suppose I had better get to telling you about it.

Grand Ole’ Ditch

Nothing like Cumberland’s own to get things going on a Sunday, right?  I was really excited to see these fellas tear up the Potomac Stage once again, and with good reason.  The lads kicked things off with a rather fine “Graham Central Station” instrumental which was the perfect way to get things going on such a lovely Sunday.  Then it was time for a little string song with “Blue Light” — “I’m going down to that blue light, where the music plays all night”.  Love it.  Maybe they should consider getting blue lights to mark out the Late Night shows at DelFest?  And who doesn’t love a birthday?  Well nine-year-old Meg in the crowd received a special dedication of “Allegany Sun” (written by Matt Hamilton of Virginia) for just such an occasion.  And she was a lucky lady given how great it was.  Definitely one of my favorite songs of the set.  Then things got a little rock’n’rolly with “Roll with the Punches” followed by the mysterious and minor-run-laden “Dark Rider”.  Further on down the set was a sweet and lively guitar tune named for one of the instruments in the band, “79-28”.  One doesn’t often get a tune inspired by and named for an instrument played on that very instrument, to be sure.  Fiddlin’ Ray stepped up to the fore to saw out a hot fiddle tune named “Dragon’s Breath” for us next and it was superb.  Great interplay between the other instruments and the fiddle.  It was starting to feel more like “DeadFest” than DelFest given all the amazing Dead covers we’d been getting thus far.  And Grand Ole’ Ditch wasn’t going to disappoint, instead giving us a fantastic and mellow “Candyman”.  To the utter delight of those assembled, of course.  What a weekend for the Dead and bluegrass!  (And it wasn’t done yet, but more on that later.)  The boys continued later with a slow, swung “Baby Jane” followed by a hopping “Cabins in the Laurel”.  Time for some dancing anyone?  With this band, you’re pretty much assured to be on your feet and romping around — and you’ll be in great company.  And this “Cabins” had us all moving merrily about.  Keeping that energy high, the Ditch boys finished up with a simmering “Foolish Pride”.  Wowsers, what a set!  So glad to have caught these fellas this year at DelFest.  Very much looking forward to seeing them again soon!  Colorado tour, mayhaps?

Hot Rize

Due to some interview scheduling concerns I missed the first part of Hot Rize’s set, more’s the pity.  However, I will talk about what I did see since it is Hot Rize and since they are incredible.  You know.  As I walked up to the Main Stage, the four gents based in Colorado were singing their gospel song, “The Way”, from their new album which features some of that pitch-perfect four-part harmony for which this band is renowned.  That is one of the most rewarding aspects of this genre, in my opinion:  the widespread occurrence of really good solo and harmony singing.  Simply put, bluegrass music has a wealth of great voices that know how to be used properly.  And it shows.  And we are thankful.  So thankful…especially for bands like Hot Rize.  Taking a crowd request, Tim O’Brien stepped up to sing “99 Years” next and they, of course, nailed it.  Point of interest:  Pete’s banjo didn’t show for the festival so Pappy of Cabinet lent Pete his own banjo to play.  Pretty nice, right?  And Pete most assuredly did Pappy’s instrument proud.  I love those little ins-and-outs stories from fests like this one.  One of my very favorite Hot Rize songs was up next, “Blue is Fallin’”, a brutally honest testimonial (not sure if it is Tim’s or not) about what I surmise is either clinical depression or bipolar depression.  From my own understanding of these diseases, this song hits the nail right on the head.  Either way, it is an emotional, intense song and I just love it and am so glad they played it.  At the end of the set, Del and Ronnie were invited out to sing a Bill Monroe ditty with the boys which was pretty much traditional bluegrass heaven for all of us.  Sad that I missed so much of the show but ecstatic that I got to see any at all, it was time to get ready for more music with Lake Street Dive.

Lake Street Dive

Admittedly, this was my first time seeing this band, although I had heard a lot of hype from a great many friends.  I was looking forward to seeing if they hype held up (not that I doubted it would).  It did.  Certainly the most rock sound of the bands at the fest this year and with unique instrumentation, this group centers around the incredible vocal talent and skill of their front lady, Rachael Price.  The showmanship was akin to some of the bluegrass groups in attendance, though, with different members moving around the stage to join others or to gather in close ensembles.  While I don’t know much of their original music (a situation I tend to fix), some of the recognizable covers were quite enjoyable.  Annie Lennox’s “Walking on Broken Glass” was one of these.  A lighter version of the song with some nice trumpet, Rachael also nailed down the iconic vocals in fine fashion.  Later it was Van Halen’s “Jump” and, even though we lacked the guitar solos we crave from the original, I’d have to say her version beat out David Lee Roth’s.  An unexpected cover to be sure.  Their final song was one of theirs, “You Go Down Smooth”, and it was off-the-chain good.  Between the great ensemble sound of the instrumentalists to Miss Price’s trademark voice, it was a fine ending to a standout set at DelFest 8.  Again, I have to say how much I am looking forward to following yet another band.

Leftover Salmon

Salmon was meant for this festival, no doubts there.  Spanning myriad genres but still able to throw down some mean bluegrass, the boys from Leftover came out swinging on the Main Stage with Hartford’s “Up on the Hill Where They Do they Boogie” (a favorite of mine and of, well, just about everyone out there).  Helluva good way to start things out for us!  Drew on vocals for “Down in the Hollow” came next and it was just fast pickin’ epitomized.  Hot damn is this band good!  Listening to my voice notes again was just giving me chills.  Oh, and can Bill Payne play those keys or what?  Damn, sir!  Great musical addition to the band to be very sure.  “Sometimes a River” followed and then Del joined the fellas (to a round of “Del! Del! Del!” chants) for one fantastic “Midnight Blues”.  Nothing whatsoever like having our good ol’ Pappy Del lend that signature voice of his to an old favorite.  Bill Payne’s song “Way Down Under” featured a particularly wonderful Andy Thorn solo on banjo, Payne’s piano a perfect backdrop.  Later in the set the lighthearted “Liza” lit up the stages and our hearts alike.  Any chance to see Vince being silly, being amazing, being Vince…well, that, my friends is a mitzvah.  “…I’d swim a hot tub, I’d climb a tree.”  Love it.  Just as much as I love my native Colorado, subject of the subsequent “High Country”.  I mean, who doesn’t want to be in the high country all day?  We all did there in Cumberland at that moment, I can assure you.  A truly special moment was in store when Tim O’Brien (Hot Rize) joined Salmon for a badass rendition of Bob Dylan’s “Man Gave Names to All the Animals”, nine-and-a-half minutes of musical weirdness and genius and enjoyment all rolled into one.  And it was top notch I tell you.  Top notch!  Tim stayed up there, thankfully, for a galloping funhouse of “Let’s Give a Party” which dumped massive amounts of ants in our pants and hurried us along towards the end of the set with a hot and lengthy 12:21 “Aquatic Hitchhiker”.  “Rag Mama Rag” was the closer of this lovely Leftover show and the boys certainly brought it to the end.  Del yeah for Sunday sets like this one!!  Del yeah for Leftover Salmon!!

The Del McCoury Band

Well, here it was, the keystone of the musical weekend:  Del and the boys’ Sunday Main Stage hootenanny, a set the grand majority had been anticipating the entirety of the festival.  The weather was delightful as the evening descended upon us, the slowly blanketing darkness punctuated by solitary stars poking through, one lazily after another.  A prime setting for a little bluegrass music, Del McCoury style. “Loneliness and Desperation” started things off on a bluer foot than one might expect, however, little things like Jason Carter’s stellar fiddling or Del’s emblematic voice brought all our spirits far above the lyrics.  Slowing things down a bit next with “Count Me Out” the band exhibited some of those perfect harmonies for which they are so well known, always a treat and one of the better aspects of bluegrass music, in my opinion.  They wasted no time ramping things back up again to a wicked clip with “Bluegrass Breakdown”, the first bluegrass instrumental ever, written by Bill Monroe who had Scruggs pick it out for him.  And, man, did Del and his fine fellows break it down!  I imagine they took it at a slightly faster pace than did Scruggs, however, I haven’t done my research to find a recording so the jury will have to be out on that for awhile longer.  How many times will I mention the musical ability of these men?  How many times could possibly be too many?  If you even remotely like good music, hell, even if you hate good music for some reason, I believe that you would be wholly blown away by watching these gents practice their art together.  Ronnie stepped up to the mic for the loving, mournful “Body and Soul” and from the first notes he sang, the crowd erupted with appreciation, loving what they heard.  And how couldn’t they?  The man has one hell of a bluegrass voice.  Simply said.  Then it was time for some branding-iron hot banjo pickin’ from Rob during an instrumental he led followed by “This Kind of Life” and then a fiddle tune headed up by none other than Mr. Jason Carter.  Talk about a deluge of delicious string band delights!!  After that it was the song that helped win Del his Grammy, “The Streets of Baltimore” — Del sounded tremendous on the vocals and the fellas backed him with style.  Later in the set was the ballad of a wicked man, “Eli Renfro” — “can’t you hear, can’t you hear?”  The crowd surely heard a great version of this one.  “Mountain Song” had a few forgotten lyrics, but who cares?  As Del said, they make “good fill break[s]” — who am I to argue with him?  Woody Guthrie’s “The New York Trains” came after, a song Guthrie wrote on his very first day in New York City about his impressions of life there, et al.  As usual, a Del Band show is as educational as it is entertaining and inspiring and happy-making.  Time for a love song at last:  “You Took Me In Out of The Rain”, a duet for Del and Ronnie that had the audience clapping along from the start.  Always nice to hear a song about love that goes right in this genre, right?  True to form later in the set was the gospel corner with “Get Down on Your Knees and Pray” featuring some fantastic vocals and harmonies from the entire band.  Truly great stuff…love when they go gospel.  This was followed by a furious, frenetic, freakishly fast “White House Blues” — just when you think you’ve seen these guys play at their fastest yet, they go and do something like this.  Not an errant note in the bunch and I must have clocked them at a billion notes a minute.  Give or take.  Lots and lots and, seriously, lots of them that’s for sure.  And just as fast as it had begun it was over and time for Roosevelt Collier to join in on pedal steel and Evan McCoury on guitar (whom Del said he rarely brings on stage since he such a good guitar player) for Shawn Camp’s (Earls of Leicester) “My Love Will Not Change”.  The additions of Collier and the younger McCoury were, in a word, wonderful.  Such a wall of sweet, sweet sound rolling down from the stage.  A very nice way to end an extremely nice show.  But, wait…there’s more!  An encore, you say?  How about a little “Smoking Gun”?  Just like that coffee of yore:  good to the last drop.  Just like this show, just like this show.  Thanks for another magnificent one, Mr. McCoury, and many thanks to your marvelous band!  And thanks for another stupendous DelFest!

Late Night - The Jeff Austin Band - The Travelin’ McCourys

Here it was, the last of the late nights and what a freakin’ line-up.  After the J.A.B. explosion on the Main Stage we were all poised and ready for some more of that same magic here after midnight.  And we let it all hang out dancing to Jeff and his merry musickers as they gave us frenetic, funky fast pickin’, Austin-style.  A mellowish “Screen Door” kicked things off with a long, dreamy, entrancing jam at the end which eventually led into “Shake Me Up” for a combined total of almost a half hour’s worth of music.  Super, my friends. Just super.  Jeff reminded us all that the fest wasn’t over yet as he led into “Simple Truth”.  Of course, he also reminded us about work the next week.  Thanks a bunch, Jeff.   But, really, thanks a bunch for such good music all weekend.  The second-to-last song of the set was a speedy, rifle’s bullet of a “Sideshow Blues” complete with a DelFest-related soliloquy from Jeff about how we should all form a community that lives on the Allegany grounds all year long.  Sounds like a good idea to me!  The closer for J.A.B. was a lengthy and lovely “King Ebenezer” weighing in at 27:07.  A milder-than-expected but still incredibly good late night set from Jeff and company.  Absolutely put us all in the mood for some Travelin’ McCourys ready take the stage next.  Now was the time for some severely lightning-fast pickin’ to end this festival for good and for right!  The boys fired up the sizzling griddle of grass music with a quickly played quick “Quicksburg Rendezvous”, although I hardly remember anything about it since I was dancing so much.  This gave way to Ronnie on vocals for the despairing “Deeper Shade of Blue”.  It was straight bluegrass bullet train through Jason Carter singing “I’m Southbound” (which contained a stellar set of solos from Ronnie, Rob, Jason, and Cody) and “Old Train” and then slowing things up for “Delia’s Gone”.  A fast and fun “Foggy Mountain Breakdown” came and kicked the fog from anyone’s brain at that wee hour in the morning and we were all glad for it.  Later on in the set we got one of my favorite songs by this crew:  “Messed Up Just Right”.  What can I say?  I like songs with clever lyrics.  Oh, and songs that are really good and also sung by Alan Bartram.  But hey, I can be particular sometimes.  Like how this song was particularly good that late night.  And then, hey, they threw down “Cumberland Blues” once more because someone had asked them to.  And, truth be told, it was better this time around.  More polished.  And that would make sense.  Hell, I was just glad to be getting it again.  For the last four songs of the night the McCourys had Roosevelt Collier sit in to provide some of that crazy steel slide action of his.  The first song of this collaboration was “One Way Rider” followed by a 10:56 “Loser” — Grateful Dead at DelFest 8 until the bitter end!!  Again, “Loser” was improved over the night before and I was very, very grateful to be getting it, believe-you-me. Their final song and the final song of DelFest 8 was an old Lee Boys number with Roosevelt providing some amazing train sound effects on his slide.  Over fifteen minutes later and we were all still wondering what the heck just happened to us, both that set and that night and that weekend altogether.  Well, I know what happened for me:  the best DelFest yet.  Now, granted, I have only been to two, but this one was so damn wonderful that it guaranteed my place at next year’s DF (as if that were really necessary).  Just great for me to be able to relate such good information and good news to you guys again this year.  Already looking forward to doing the same next year!  Thanks for reading everyone…hope you enjoyed!  

Del yeah!!!



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