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Strings & Sol Festival 2016 - Puerto Morelos, Mexico - Friday

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Strings & Sol Festival 2016 - Puerto Morelos, Mexico - Friday

Strings & Sol Festival 2016

Festival Experience Archive

for The Lot Scene by Parker

Introduction

    The third time was most certainly the charm this year for me at Strings & Sol, Cloud 9’s annual bluegrass bash on the beach down in Mexico.  So much clicked and grooved and jived in all the right ways and having the privilege of plugging into that unique energy and wonderful positivity that is the Strings & Sol reality became all the more real and important.  And fun…we can’t forget the fun.  What a cast of characters assembled, too, both on stage and off this festival having become a quick repository for so many super fans and linchpins of our community as well as a growing number of multi S&S alumni.  As such, the subculture of Strings & Sol draws you in, seduces you with so many amazing experiences and wonders, and then delights you to the very marrow with unparalleled music, a heavenly atmosphere, and the chance to experience it all with some of your favorite people.  And that lineup?  Are you kidding me?  As always, just the kind of music I want to hear with a frosty beverage in hand and my feet in the sand.  Bravi to Annabel Stelling and all at Cloud 9 who have a hand in making this festival happen each year.  For our money at The Lot Scene, it is clearly one of the best planned, organized, and run fests around.  Honestly, it’s damn near perfect.  Please keep up the wonderful work, guys!!  So many thanks!!  I guess, for me, it’s the overall feeling I get when I come to Strings & Sol.  I am reminded so acutely of summer camp as a child…meeting new people and having fun for a week or so, making lifelong friends in the process, saying goodbye for a year in between…having more fun than seems humanly possible.  And the Now Sapphire plays a huge role in this, too, what with their staff (our counselors if you will) always at the ready to make things happy, to make us happy.  Seeing the same staff from year to year…see?  Just like camp.  And the anticipation.  An entire year’s worth of waiting to get back to the magic.  Back to friends and drinks and music and the beach and the pool and the Buffet and fun.  All that and more:  Strings & Sol.  Camp Strings & Sol.  But, where would our favorite summer camp in December be without the music?  Without those Strings we’ve been hearing so much about?  Where, indeed?  How’s about we get down to business then, my friends…  

Now Sapphire Pool and Pool Bar

Now Sapphire Pool and Pool Bar

Friday Highlights

Yonder Mountain String Band - Leftover Salmon

    Annabel Stelling joined Yonder Mountain String Band for the traditional welcome toast as the waves crashed nearby and as everyone raised their libations high into the evening sky in salute to the good times to come.  Always such a triumphant and expectant moment and certainly a favorite of many in the crowd.  How couldn’t it be?  With so much music in store at that point in the festival, that must serve as a great memory for so many people who attended.  And then, in a flash, the music was off to a hot start with Yonder at the helm getting everyone’s feet a-dancing in that cool white sand once again.  They kicked things off with a speedy and energetic “Insult and an Elbow” from their album Black Sheep.  A good choice in that these five talented individuals showed that they meant business for the remainder of the weekend from the very get go.  Jake Jolliff’s early solo at Warp 5 was a perfect example of this fact.  And Allie Kral's answer to that solo a bit later in the song?  Riveting.  Plainly put, we were all in for some sizzling YMSB this weekend.  And we were loving it.  Another selection from Black Sheep was next in line that evening in the form of a fantastic Strings & Sol rendition of “I’m Lost”.  But, the best thing is, you don’t have to take my word for it because we recorded a lovely video of it just for you!  Please enjoy! 

Yonder Mountain String Band kicked things off in their traditionally fine fashion at Strings & Sol this year after the yearly Welcome Toast on Fri Dec 9th with a fantastic set. Here is a small taste of it for you...feel that ocean breeze? What a great way to get this amazing festival started!!

Nothing like taking it that special vantage point from the beach at S&S.  It really is as magical as everyone says it is.  “Pockets” followed “I’m Lost” for this opening set from Yonder Mountain on the stage sitting blithely next to the sea, the mixture of music and nature creating a heady brew for the crowd below.  Really fine guitar solo from Adam Aijala about a minute into things truly showcasing the musical acumen that is so prevalent in this band.  And this was only echoed in Allie’s own extremely gifted and skilled musicianship exemplified in her own killer soloing.  The next song saw Jake Jolliff come up to the mic to take the lead on King Harvest’s “Dancing in the Moonlight”, yet another excellent cover from YMSB.  They certainly have a strong collection of those very songs.  Fantastic ensemble work from the entire group on this one highlighting that easygoing feel of yesteryear that this song evokes in spades as well as the round robin of sweet solos that kept coming round the bend time and again.  I really enjoyed this version of an old favorite.  Superb job, guys!  Danny Barnes joined the band on stage for a couple of numbers beginning with “Winds of Wyoming” which they took directly into “Funtime” and back into “Winds”.  Holy goodness can that man play the banjo!!  Yonder just knows how to interface with a guest so very well to bring out the very best of the collaboration.  Adam took this to heart with a lengthy and fiery good guitar solo a couple of minutes into the mix.  Such skill on that instrument!  Allie’s contribution to the good times on stage is of necessary mention as well — that good lady can evoke so much incredible joy from that fiddle of hers.  And we are all so glad she does just that!  All of this was in anticipation of Danny on his 5-string, however, as he lit up the night with his own unique brand of picking.  What a monstrously awesome augmentation to Yonder.  Bravo, sir!  Then, Dave Johnston threw down some duet action with Danny as well which was twice the banjo goodness.  So much string band happy on stage all at one time!!  And then it was time for Danny to bust out the lead on “Funtime” with Ben in support on harmonies.  What’s that about Jake nailing down some seriously crazy good solo work?  Yeah, you got that one right, my friend for that certainly went down, too.  Talk about a fun time, indeed.  So fun!  Especially when they slammed right back into “Winds of Wyoming” to finish things out with Danny.  Excellence!  Later in the set, Drew Emmitt of Leftover Salmon came out to add his voice and mando to the madness on the S&S main stage for a couple of songs:  “Summer in the City” into “Kentucky Mandolin” back into “Summer”.  Again, another perfect example of how well Yonder really synchs with other musicians.  I love that aspect of this band.  You could tell Drew was having a blast up there, too, smiling away in such the infectious manner.  Nothing like watching our favorite musicians love what they do.  The final song of the set came a little later with Larry Keel added in this time to increase that fun payout.  Yonder and Larry finished the show with “Sidewalk Stars” an old favorite in the YSMB catalogue.  Larry, of course, added his signature grit and sincerity to the performance which, if you are a fan of Mr. Keel like I am, is always encouraged.  What a way to conclude the opening set of Strings & Sol 2016!!  What a set itself!!  If this was an indication of what was to come (and it was, believe-you-me) we were all in for the best weekend of bluegrass on the beach yet.  And that was pretty damn exciting.  Cheers to Yonder for tearing the lid off Strings & Sol 2016 for us!!  Bravi!!

Yonder Mountain String Band

Yonder Mountain String Band

    Festivaaaaaaaaaaaal!!  Ah, the cry of the Leftover Salmon.  The rally that utters forth time and again from the great polyethnic cajun slamgrass chieftain, Vince Herman.  Leftover Salmon.  That band’s band.  That amazing ongoing experiment in music, madness, merrymaking, and mutual awesomeness.  What would S&S be without LoS?  Where would we all be without them to help welcome us back to camp on the first night of the fun?  I am just glad we didn’t have to find any of that out this year as we watched Salmon take the stage after Yonder Mountain.  I freely admit my bias here:  I adore this band.  It’s really hard not to.  From the energy to the joy to the music to the everything, I really enjoy all that they do.  But, then again, I really like to have fun at shows and Leftover provides fun in droves.  So, let’s get to that fun, shall we?  “Mexico” was our collective intro into how Salmon was feeling this year at S&S.  Drew Emmitt was up to the mic for the lead vocals on this homage to our current location, with the band in full support to be sure.  Nothing at all like that sweet, sweet Salmon ensemble sound.  Alwyn Robinson was serving up some serious beats that translated directly into sand flying around our dancing feet on the beach down below and while the rest of the band wailed away, stirring the pot in all sorts of fine ways.  Quite the auspicious start to what would be a marvelous show.  “Zombie Jamboree” was the perfect follow-up to the intensity of “Mexico”.  Erik Deutsch tore things up on his keys in that ever-more-respectable way that only he can.  As most of you know already, I supremely love that man’s playing.  Especially with this, one of my favorite bands.  Lighthearted and joyous, Vince heartily sang the tongue-in-cheek lyrics as we all jumped and thrashed about in glee and as Andy Thorn serenaded us all on his mystical banjo.  Drew took his own turn at the fun with a lengthy and lively solo on his mandolin.  Pure excellence!  Then, how about a big turn at “Tequila” with Larry Keel?  Oh, the “Tequila” joke, you ask?  Ah, yes.  The “Tequila” joke.  So, apparently as we would find out later in the weekend from Anders Beck of Greensky Bluegrass, the idea was to play the ending riff of The Champs’ classic “Tequila” after every song and have the crowd yell the magic word.  So, Yonder did begin this…my apologies for not telling you sooner.  And it kept going.  And going.  All weekend.  But, we’ll get to that.  For now, it was still fresh and funny.  And how can’t you love Salmon with Larry Keel?  Next, we managed to get another great video for you to help transport you to the beaches of S&S with us.  Please enjoy this “Whispering Waters”!! 

Leftover Salmon lit up the night sky on Friday, December 9th at Strings & Sol 2016 with their incredible set. Always a perfect fit for this bluegrass festival on the beach, Leftover certainly did NOT disappoint all those who traveled to Mexico to bask in the sun, fun, and music.

If you closed your eyes, you could’ve almost been there, right?  That’s what we try to do for you, good people — take you there.  Later on the fantastic familiar drum intro of “Gulf of Mexico” heralded in the perfect anthem for the setting at the Now Sapphire right by that very body of water…or a little around the corner at least.  But who’s counting?  Hey, we were by water in Mexico.  More than good enough for us as we enjoyed this classic from Leftover, Drew at the vocal helm.  Some marvelous banjo badness from Thorn helped kick things into high gear as Drew answered on his electric guitar, all the while Robinson like a mad metronomic monster throwing down the base to the whole affair.  Brilliance from every corner of the band!!  Bravo to Greg Garrison on that bass of his!!  Bravo to Erik on the keys!!  What a showing!!  Then how about a little Hendrix, why not?  Why not, indeed!!  “The Wind Cries Mary” is one of my favorite covers from this band, and they just freakin’ kill it every time I hear it so why shouldn’t it be?  Drew provides the vocals for the adventure and the whole thing is taken at a quick bluegrass pace.  Magnificence.  Erik tickled those ivories so adeptly and sweetly, synth set to organ, phaser set to “kick ass”.  And so much awesomely awesome drumming, Alwyn!  My goodness…leave some beats for the rest of the class, please.  Ha!  Not to mention Drew on his mandolin and Andy on banjo!!  It’s enough musical merriment so as to cause palpitations!  Big, big music from this big music band.  After a small set break the band got back into the shenanigans we’d all been enjoying thus far.  A bit into that second set, the band launched into a “Funky Mountain Fogdown” with a “Tequila” inspired intro that developed into something rather fun and funky, indeed.  Maybe it was Andy Hall’s dobro that really brought the funk to it all.  Whatever the reason, we were on quite the ride through fast pickin’ heaven.  So much great musicianship going round and round and round.  Crazy good!!  I mean, Vince was nailing it on guitar like a super champ and then, bam, hands it right off to Hall who…runs…with…it.  I mean just goes and goes.  Such incredible music.  Not to be outdone, Deutsch comes in on those keys and just dominates until Andy Thorn steals the show on banjo!  Whoa!  What a rush!  What could you even follow that with?  Well, Salmon does it a little something like this:  “Get Up And Go”.  Vince singing to us about living life in much better fashion?  A perfect way to dance out the energy from the “Fogdown” before.  Andy Hall stayed out there throwing down those perfect dobro licks to enhance this travelin’ song.  What a player, huh?  That man knows his instrument so damn well.  So impressive.  So appreciated.  Finally, they closed things down for the night on the main stage with “River’s Rising”.  A great and strong staple of the Salmon catalogue, this one never disappoints.  It’s just a great rock song, you know?  Drew was in fine voice with Vince in support, throwing down the vocals like a a pair of rock gods.  This was a big one, too, clocking in at 13:54 — lots of music up in here.  This, of course, gave everyone the opportunity to shine and shine they did.  From Drew just shredding it on electric to Alwyn going nuts on those skins, the energy just kept building and building.  But the real creme de la creme was the mid section of the song, the jam.  At times pure, high energy rock’n’roll and at others trippy space breakdown, Leftover was determined to take the audience some place far away and special.  And that is exactly what they did.  Wow.  By the time the song came back to itself at the end of the more than 10 minute jam it was still filled with madness and energy and fun and laughter.  What an ending!!  Not a person standing on that beach wasn’t left wheezing with pure merriment and gratitude.  What a show!!  Festivaaaaaaaaaal!!  What a ride!!  And that, my friends, is precisely why we go to Strings & Sol.  Boom!  So many thank yous to the band and their folks who help to get them to places like S&S.  Thanks to the Cloud 9 folks for an amazing first day at Strings.  Ah, back at camp and couldn’t be happier.  So much fun to be had…already had.  Amazing.  And still three days to go!!  

Leftover Salmon with Andy Hall

Leftover Salmon with Andy Hall

Stay tuned for Saturday’s fun, everyone!!

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Leftover Salmon - 23 July 2016 - Red Rocks Amphitheatre - Morrison, CO

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Leftover Salmon - 23 July 2016 - Red Rocks Amphitheatre - Morrison, CO

Leftover Salmon

23 July 2016 - Red Rocks Amphitheatre - Morrison, CO

for The Lot Scene by Parker

Band Members:  Vince Herman - vocals, acoustic guitar, washboard; Drew Emmitt - vocals, acoustic and electric mandolin, electric guitar, fiddle; Andy Thorn - vocals, acoustic and electric banjo; Greg Garrison - vocals, acoustic and electric bass; Alwyn Robinson - drums; Erik Deutsch - keyboards, piano, melodica

    Music and friendship.  The two go so well together, creating so many wonderful things in the process.  A natural marriage of ideas and ideals that was so apparent at Red Rocks in Morrison, CO, this past weekend.  Hometown heroes, Leftover Salmon, epitomized the very meaning of musical friendship opening things up for their pals from Kalamazoo, MI, Greensky Bluegrass who would be playing their first headline show at Red Rocks to a sold out crowd.  There has been mention of a “passing of the torch” from Salmon to Greensky, but that isn’t quite what I observed the other evening.  What I saw instead was the coming together of two bands in joyous camaraderie to share a stage and a night of music under the rainbow skies at the historic venue:  true friendship made manifest through sound and sight and shared experience.  And what I saw was magical — a night of celebration and merriment for one and all, bands and fans alike.  Smiles were abounding and legion all evening long, even through the scattered rain and winds, each one a testament to the spirit of friends-made-family emanating from the stage.  And, that afternoon, no fewer than three different rainbows graced the skyscape over top of the stage and spilling down onto distant Denver and the surrounding hills.  The magnificence of Nature all around us, bathing our faces in the golden light of the evening sun and the multicolored hues of those utterly beautiful arcs in the skies above, we were ushered into the musical bliss of our big night of wonderment by some good ol’ fashioned polyethnic Cajun slamgrass, care of Leftover Salmon, of course!! 

Leftover Salmon

Leftover Salmon

    One of Colorado’s most Colorado bands, Leftover Salmon are no strangers to the Red Rocks stage.  Which is why they made the perfect ambassadors to open the gates for Greensky to follow.  In my opinion, an incredibly cool and classy thing to do on their part and embodying that organic meaning of friendship.  As such, we all knew that Salmon would be throwing down some serious jams and hot energy that night and we weren’t to be disappointed.  They started the whole shebang with Vince on lead vocals for “Dance on Your Head”, a highly danceable and enjoyable staple of the LoS catalogue.  This song has been with the band and their fan base for a nice long time and was the perfect way to begin.  Instantly the party-time electricity was felt blasting up from the speakers as each member of the band settled in to jam our faces off.  Tons of great stuff happened in this one like Andy Thorn and Erik Deutsch laying down a little keys-backed banjo solo which turned duet at points in very tasty ways.  And this was only a minute or so in.  Vince was clearly already having fun himself, playing around with the vocals a bit and dancing around like the merriest of madmen.  And then, back to Mr. Deutsch:  his solo?  Just stellar on every conceivable level.  Piano, keys, organ…all of it and more.  Again, I must gush and say how incredibly happy I am that he is a part of one of my very favorite bands.  Erik brings a vast amount of everything to the Salmon table and it all fits in so seamlessly with all that is the band.  Last but not least, Drew’s solo on electric was pretty raw and remarkable.  Talk about your versatility in a single band!  So much talent and so much skill being brought to bear for our enjoyment.  How can’t you love this?  Next up was “All Night Ride” filled with tons of hard drivin’, fast pickin’ for everyone to enjoy.  Drew was on lead vocals for this one as well as mandolin, setting a nice, blistering pace for all the dancing feet on tier after tier of Red Rocks.  Vince’s guitar and Drew’s mando dominated throughout, Drew’s solo of particular quickness and mastery.  All of this, of course, backed by the man behind the beat, Mr. Alwyn Robinson, whose percussion skills rained down with perfectly-timed drops of those mystical sticks of his, driving songs like this one like a freight train.  “Walkin’ Shoes” followed “ All Night Ride” with Uncle Vince back up to the mic take the lead.  Lovely and large ensemble sound coming out of this one at the beginning setting a great tone and tempo for this version.  Greg Garrison gave us a nice clinic in sweet bass lines about a minute plus into things at the behest of Vince — the good doctor was in, thank goodness.  This gave way to a fantastic round-robin all the way around the band with so many solos coming from so many instruments, keys and strings everywhere.  In turn, “Two Highways” followed up with Drew back up to the mic.  They took this one at a good clip, seeming to want to keep the energy at as high a level throughout the amphitheatre as possible.  Andy Thorn’s solo a couple of minutes in was blindingly fast in its execution (no surprise there) and incredible to behold.  That man just keeps getting better and better and better at what he does with his chosen instrument.  And aren’t we all thankful he does?  And what about that ending jam?  Oh my goodness, how incredible it was!!  Huge band jamming all around followed by a monster electric solo from Drew?  Just massive amounts of music coming at you all at once…and such great music, too.  So good!!  Later on down the set it was time for the band to channel some Taj Mahal with “Lovin’ in My Baby’s Eyes”, a personal favorite of mine.  Leftover had recorded a version of this song with Taj on their album The Nashville Sessions so it was special to be getting a version there at Red Rocks.  Vince Herman took lead vocals for this one, the strumming of his rhythm guitar like the voice of an old friend throughout.  The central breakdown was filled with all sorts of goodness, from Andy on banjo to Erik on keys to Drew on mando, all three tearing it up and threatening to evoke tears with the beauty of their jammed out melodies.  Just magnificent!!  I was completely unprepared for what came next:  some Jimi Hendrix.  That’s right…you read that correctly.  Jimi.  As imagined by Salmon.  What could be better, right?  It was certainly a supremely cool version of “The Wind Cries Mary” to be sure. I’d never heard the song done up bluegrass-style before.  Andy Thorn’s banjo lit things up early on taking up the melody line only to hand it over to Drew on vocals.  This one was an instant crowd pleaser as soon as we were all sure of just what exactly we were hearing.  And the band took it and ran, that’s a fact, my friends.  Erik had his chance to dominate on keys, of course, and that he did, in spades, many times over.  But it was the entire band together who shone most brightly during this song, so much big and bold ensemble sound bursting into the night sky.  Drew also took a nice, lengthy, rockin’ solo on electric for us handing the reigns back to Andy on banjo who marched up and down his fretboard like a mad scientist of bluegrass groove.  This was a big one, good people.  Big.  One I would very much suggest finding on the Internet Archive (please, do yourself a favor!!).  Suffice it say, there were lots and lots and lots of ecstatic faces beaming round after this one wrapped.  Mine included.  A lengthy and lovely and lunatic “Bolin Creek” followed up the Hendrix giving us a simmering, sizzling instrumental reason to keep our feet a-dancing in the crowd gathered between Ship Rock and Creation Rock, one of the best places to be on this planet.  This one was peppered through and through with one simple thing:  bodacious beastly bluegrass badassery.  So many notes, so quickly played!!  How??  Almost impossible…and from each and every man on that stage, too.  Mad beats?  Mad notes?  Madness abounding?  You bet, my friend.  And all so delicious to the ears!!  Bravo to each and every member of the band for this one.  What a ride!  A 13:05 ride to be exact.  Wow.  Another one for the Internet Archive assignment, I’m afraid.  Heck, you should probably just listen to the entire set, really.  You know, only if you love incredible music, that is.  Next up, Vince announced Anders Beck from Greensky who joined Leftover for a rendition of “Breakin’ Thru” on his mighty dobro.  Drew took the lead on this song as per the usual, crooning to us in that unique and lovely voice of his.  Let me tell you, I do love dobro with my Leftover Salmon.  I mean, I just freakin’ love it.  And last Saturday was no exception whatsoever.  Anders sounded simply marvelous, both in the texture of the group and during his solo.  The man is an adept on his instrument, there can be no argument.  And he makes it looks so blasted easy, too!!  So does Erik, for that matter.  Such a comfortable mastery on those keyboards, hands flying, fingers dancing.  How much great music can one heart hold, right?  And only to have Andy join in and throw even more notes at you?  More and more and more!  Yes, please!!  I’ll gladly take them all!!  This was another hefty one, too coming in at 8:35 — talk about getting the most from your music.  With this band?  By a long shot.  Finally, Vince closed things out by thanking all the mothers in the audience, especially those of the band, for all that they do.  It was touching and sweet and classic Vince.  Then, he invited a couple of “Salmon Eggs” on stage, his own son, Silas Herman, and also Eli Emmitt to come and join in the fun on mandolin and guitar, respectively.  There is nothing like getting to see a couple of proud papas and their sons jam out on the stage at Red Rocks.  And with Anders still sitting in, things promised to get really special for the last song of the night.  It just so happens we grabbed that very song on video for you which we will bring to you now: 

Hometown heroes, Leftover Salmon, opened up for the first headline show for Greensky Bluegrass at historic Red Rocks...and what an incredible way to get the evening going!! Here we have the closing song of their set, "High Country", with friend Anders Beck of GSBG and family members Eli Emmitt and Silas Herman sitting in.

See just how magical the night really was?  And to think it was only the beginning.  But what a freakin’ beginning, right?  Salmon really did blow the doors off the opening for Greensky, true and true.  And that prevailing feeling of friendship?  Found everywhere…bouncing off the very walls of Red Rocks and around the hills of the Front Range.  I really cannot think of a better way for things to have gone.  Perfectly is the word that comes to mind.  The perfect preparation.  So many thanks to Leftover for putting on such a helluva show.  It truly was special.  And kind.  And kickass.  Damn, do I love this band!!  

Andy Thorn

Andy Thorn

Stay tuned for Greensky Bluegrass and their first headliner at Red Rocks!!

    

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Jam Cruise 14 - MSC Divina - Saturday

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Jam Cruise 14 - MSC Divina - Saturday

Jam Cruise 14

Festival Experience Archive

for The Lot Scene by Parker

Saturday Highlights

Pickin’ the 80s Pickin’ Party - The New Mastersounds - Keller Williams with More Than a Little - Lotus

    Another day in port, another day spent recuperating with daiquiris and sunshine on the aft pool deck.  Everyone has to do what they have to do to make Jam Cruise work for them…whether it be our strategy of leisure or heading off the Boat to some inland excursion or just to a nearby beach, there are few wrong ways of doing it and those are pretty obvious.  It is always nice to be able to catch one’s breath for a few hours before the madness begins anew.  And, daiquiris, am I right?  But, as always, we have music to discuss so, let’s to it, shall we?

    What better way to start the musical day than a Pickin’ Party in the Atrium care of Paul Hoffman and Anders Beck of Greensky Bluegrass?  And it was to be Pickin’ the 80s to boot!!  Totally rad, dude!!  Travis Book and Andy Hall of The Infamous Stringdusters and Cris Jacobs were all out in support of the Greensky lads and it made for quite an ensemble sound.  Nothing beats double dobros.  Nothing.  A little Dire Straits was first up in the form of “Money for Nothing” a favorite cover from the GSBG world.  Helluva start to this string set — this one sounded fantastic from Paul’s vocals and mad mando skills to those double dobros I referenced earlier.  You just have to love when a good song is made all the better through excellent musicianship and the right kind of energy.  The rep was to vary from 80s hit to 80s hit showcasing the various talents on stage.  This was very apparent in the next selection, Prince’s “Nothing Compares to You” (as made famous by Sinead O’Connor) when Cris Jacobs stepped up to the mic and just spanked the lead vocals for this one.  Amy Helm joined the gentlemen on stage to sing back up vocals — just lovely.  So glad she guested in with so many acts on the Boat this year.  The great thing is, we have a nice little video of this one so you can check it out yourself: 

Paul and Anders from Greensky Bluegrass hosted a Pickin' the 80s Party in the Atrium of the MSC Divina on Saturday of the voyage. Joined by Cris Jacobs, Amy Helm, and Travis Book and Andy Hall of The Infamous Stringdusters, the group pulled out a surprise for us with a Jacobs-led version of Sinead O'Connor's "Nothing Compares to You".

There’s a reason that video is gaining popularity online.  Just superb.  Tom Petty’s “American Girl” was next on the docket and they rocked this one out pretty summarily.  Had the whole crowd singing along, the choruses especially loud throughout the multiple levels of the Atrium.  After some Peter Gabriel care of Cris Jacobs on the lead, it was time for a personal favorite song of mine:  Paul Simon’s “You Can Call Me Al”.  Yet one more sing-a-long and a supremely fun one to be sure, the ad hoc band on the stage just nailed it with Andy and Anders really showing us all what having two dobros can really do.  An extremely enjoyable set from start to finish there wasn’t a face in the place not cracked into a huge grin once they’d finished.  A great idea for the Pickin’ Party and very well-executed.  So much fun…a big thanks to Anders and Paul and all their friends for hosting such a sweet shindig.

Pickin' the 80s Pickin' Party

Pickin' the 80s Pickin' Party

    Then it was time to head to the pool deck to catch those mighty English dance stylings of The New Mastersounds.  Although a fan of their music, this was my first time catching The Mastersounds live.  Hot horns, truly electric guitar, bright energy…all of this coming at you from the stage in one danceable number after another.  Their first tune epitomized all of that — so much happy music in your face all at once.  Their second selection was a funkier kind of mellow bouncing tune that featured some spot-on keyboard work thanks to Bob Birch.  Later we were treated to some tantalizing guitar from Eddie Roberts.  A really fun band to see, great music to hear…great if you love dancing your feet off, that is.  And there is something uniquely different, singular to the sound of this band — as if their English roots and background bring something new and different and awesome to the table.  Just funky, funky fusion dance music all around, all set long.  A little on down the set they covered the Average White Band’s “Pick Up the Pieces” and it was well-nigh incredible.  They really did this tune some serious justice.  Surely familiar to almost every ear in the crowd it was interesting to watch as recognition dawned on people.  And as it did, appreciation ensued.  But, as usual, why would you take my word for it when you can see for yourself? 

The New Mastersounds tore up the main stage on the pool deck on Sat, 09 Jan 2016 of Jam Cruise 14. They chose this great cover from the Average White Band and nailed it to the floor. Quite the crowd favorite and why not? It was groovetastic and rather excellent!!

A personal fave from all of Jam Cruise for me.  Thanks for that one, boys!  Roosevelt Collier joined in on the fun for a quick song with the Mastersounds — I mean, that man always adds so very much to any music he’s involved with.  And he tore it up out there.  “We’ve got to keep movin’ on, gotta keep travelin’ on!”  Such apropos lyrics as we all attempted to make it through our fourth day of Jam Cruise.  A delightful, delectable set from The New Mastersounds, there can be no doubts.  Another band I’d have to put on my “go and see them immediately” list.  I know will be.

The New Mastersounds and Roosevelt Collier

The New Mastersounds and Roosevelt Collier

    Yet another first was on the schedule for me next with Keller Williams and More Than a Little.  I’ve had the pleasure of seeing Keller many times before with several projects, however, I’d not yet seen More Than a Little and, given all the hype from my friends, I was more than a little excited to finally see them do their thing.  And why not kick things off with a little Donna Summer?  Hot damn!  “I Feel Love” has rarely sounded so deliciously funky in my experience.  Beautiful harmonies and vocals thanks to Keller and his right and left-hand ladies, Tonya Lazenby Jackson and Sugah Davis.  So much soulful dedication to making great music.  Keeping that funk rolling down pipeline, “Funk da Funk” was up next which we have for you here: 

Keller Williams brought the funk to the Boat this year with his groovy soulful funk band, More Than A Little. And they brought the place DOWN!!! What a fun, energetic time...and so funky!! This is from their pool deck show on Sat, Jan 9th. Please enjoy!!

Funky enough for you?  Well, they didn’t stop there.  It was really lovely to be exposed to so much of More Than a Little’s original material, too.  So much to say but all really summed up by the vocals of steep funk stature supported by the perfect backing band to create a vortex of seriously fun and groovy music.  “Mary Jane” came after featuring some beautiful duet work between Sugah and Tonya.  And more original More Than a Little for me to savor.  Some super fine guitar work from Keller here, too.  A completely reinvented and re-approached Talking Heads cover was a nice surprise and unexpected.  I’ve never heard “Once in a Lifetime” played quite like that before.  Really cool approach giving new and different life to an old favorite of so many in the audience.  So I guess it’s a funk song now.  And why not?  And why not some funky Dead while we’re at it?  Some “Samson and Delilah” mayhap?  “If I had my way…” I think I’d jam out to More Than a Little all night long.  Out of “Samson” directly into a nasty good number mashed up with the Dead.  Just pure excellence.  Turns out this one is called “Samson’s Wine” and it was a fun one I must say.  Lots of crowd participation, too.  Keeping in that theme we got another Grateful treat in the form of “Eyes of the World” — amazing version for a dancing sing-a-long.  The audience ate it up.  As well they should have.  And then it was time for some classic Keller:  “Freeker by the Speaker” but re-envisioned for the funk.  Crazy harmony work up there on stage.  Just blown away by the vocals of this band.  “I Eat the Funk” was the final number of the night with Keller and More Than a Little and it was pure funk right up to the very end.  Really wonderful keyboards coming from Gerard Johnson.  Excellent sound.  All told, my first time with this band told me this won’t be my last time with this band, that is for sure.  Another one added to my “go see them now” list.  And you should.  Go see them.  Now.  

More Than a Little

More Than a Little

    Later on the pool deck stage we had a date with Lotus for some late night shenanigannery.  And, I must honestly admit to you, I kind of took this set for myself.  In summary, Lotus was the perfect sound for that stage in the evening throwing out an extremely fitting vibe and inciting a multitude of smiles along the way.  Here is a video we got for you of them covering Vulfpeck’s“It Gets Funkier” — please enjoy!! 

Lotus closed the pool deck stage down on Sat, Jan 9th - Jam Cruise 14. Here's a little Vulfpeck cover they did called "It Gets Funkier" for your viewing enjoyment. Nice and funky tune -- thanks for all the great jams, fellas!!

    And then, as you know by now, it was time for the real late night creep to begin.  Day Four was almost done, but it was a good one.  A great one.  Hard to believe there was still another day to go?  What a gift.  What a challenge.  And one we were all more than ready to rise to that occasion.  And with delight.

 

Sunday Funday on its way soon!!

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Jam Cruise 14 - MSC Divina - Thursday

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Jam Cruise 14 - MSC Divina - Thursday

Jam Cruise 14

Festival Experience Archive

for The Lot Scene by Parker

Thursday Highlights

Cabinet - Paul Hoffman, Anders Beck, & Friends - Snarky Puppy - Lettuce - Con Brio

    Not too much worse for the wear just yet, we arose, caffeinated ourselves, pulled our gear together, and got our slap-happy selves up to the pool deck to start the day with a little Cabinet action.  This Pennsylvania-based string band was a mighty fine addition to this year’s lineup and we were very grateful to have them aboard.  Their unique sound and energy was most certainly appreciated by the audiences they drew, from both bluegrass fan and non-fan alike.  I do know that they killed it, however…twice in fact.  But we’ll just focus on that first Thursday noon set, shall we?  J.P. Biondo took to the mic for their first number, “A Smile”, which had a light and mellow reggae feel to it especially on top of the grooving bass line Dylan Skursky was putting down for us.  Nice way to get things going underneath that warm Caribbean sun.  Next up they gave us a personal favorite of mine:  “The Dove” (or “Dub Dove” in this case) — also with J.P. on lead vocals.  But, why not take a quick listen and enjoy? 

Cabinet rounded out our bluegrass compliment on board the Boat this year for Jam Cruise 14. This is "The Dove" from their noon pool deck set aboard the MSC Divina on Thursday, Jan 7th. Please enjoy...I know I sure did!!

They took this one directly into the funky instrumental “Mysterio” followed by another favorite, “Heavy Rain”.  Love the amazing vocal harmonies in this Pappy Biondo-led one and definitely love them live best.  Also dig on Todd Kopec’s fiddle style — it really comes out in this one and adds this fantastic dimension to the song.  Later down the set came the track that made me a Cabient fan at DelFest a few years back:  “Mr. Spaceman”.  Filled with the electric guitar licks of Mickey Coviello, this rock’n’roll number is filled with tongue-in-cheek lyrics and super fun musical textures and lines all buoyed up by Jami Novak’s excellent drumming.  “Hey, Mr. Spaceman, won’t you please take me along for a ride?”  And what a ride this song takes you on!  Fiddle, guitar, banjo care of Pappy…mando thanks to J.P. and all these things wrapped up in the central jam.  Oh, and did I mention that they had Ron Holloway join them on saxophone for this one, too?  Ron’s incredible sax stylings against Cabinet’s edgy string-band background?  Pretty freakin’ unreal to say the least, everyone.  The Cabinet boys finally brought their energetic set to a close with a superb “Susquehanna Breakdown” every foot in the crowd tapping or dancing right until the last note.  If this was any indication of how Thursday was to go, then we were all of us in for a true treat.  Many thanks to Cabinet for getting things started out just right!

Cabinet and Ron Holloway

Cabinet and Ron Holloway

    Next up on the Lagunitas Stage on the pool deck was a special surprise, indeed.  We all knew that Anders Beck and Paul Hoffman of Greensky Bluegrass were hired stringslingers for the duration of the cruise but when we saw five gents on stage vice the two we were expecting, we knew that we were in for something unique and wonderful.  Joining Phoffman and Anders were Travis Book (The Infamous Stringdusters) on bass, Cris Jacobs on guitar, and Jay Cobb Anderson (Fruition) on guitar — not a bad supergroup, eh?  Someone in the crowd shouted their name should be ‘The Heartthrobs’ and I think it kind of stuck.  At least Phoff was heard to like it, however I am getting ahead of myself.  They kicked things off with a lively “Frederico” (GSBG rep being the majority of the selections they played) and it was a perfect chance to see how this ad hoc ensemble of acoustic greats gelled together musically.  Not that any of us had any reservations, that is.  To the contrary…all this group did was live completely up to any and all expectations, exceeding many more.  After “Frederico” they played “Fixin’ to Ruin” — we got up nice and close and personal for this one so we could share the magic with you: 

Anders Beck and Paul Hoffman of Greensky Bluegrass were on the Boat this year as roving artists at large. The guested in with many, many bands and also threw down with a makeshift ensemble comprised of Cris Jacobs, Jay Cobb Anderson, and Travis Book. Here they cover GSBG's "Fixin' to Ruin" on the Lagunitas Stage.

These fellows sounds pretty durn amazing, huh?  And they just kept laying down the heat, song after song.  Then it was time for the soulful and beseeching “Windshield”, a current crowd favorite in the Greensky universe.  It was fascinating to hear another ensemble besides GSBG playing this one…this sort of incredible but bizzaro alternate timeline Greensky backing Paul’s heartfelt solo replete with that oh-so iconic dobro line from Anders.  Really glad that Anders and Paul decided to put together The Heartthrobs.  (See?  It’s sticking.)  “Demons” was next in line for our musical delight featuring some really exquisite guitar stylings from Mr. Cris Jacobs — another place where it was of interest to see the difference between GSBG and The Heartthrobs especially when counterpointed by the familiar mandolin of Phoffman.  And who doesn’t love a little reggae?  And a little Bob Marley to boot?  “Could You Be Loved” was an apropos cover for the tropical and cheery atmosphere all around the stage underneath that bright seascape sun.  Cris and Jay decided to trade guitars on this one, thus furthering the differing sounds of this ensemble.  Paul just nailed the solo here, too.  Not to mention Jay on the back-up vocals…killing it.  Really the whole thing sounded just marvelous.  Thanks for that little gift, fellas!   Later on down the set we got some more GSBG in the form of “Don’t Lie” which sounded pretty damn great.  Again, I have to point out the funny play on the ears that this set threw down for us — Greensky songs played by some of the band with extremely talented friends sitting in.  Surreal and supremely fantastic.  One of my favorite sets on the entirety of Jam Cruise this year to be sure.  Cheers to all five you skilled gentlemen and thanks for sharing!

Travis Book, Anders Beck, Paul Hoffman, Cris Jacobs, & Jay Cobb Anderson

Travis Book, Anders Beck, Paul Hoffman, Cris Jacobs, & Jay Cobb Anderson

    Later in the day we found ourselves back up on the pool deck at the main stage for some funk love with Snarky Puppy.  This was only my second time seeing them so I was pretty psyched to catch some more of their sound and style.  So it was to be horns and funk and straight jamming out and I was more than ready for it.  This was the perfect way to ramp up an evening scheduled for tons of funk.  Their first song was full of nasty good rock mashed up with funk and it was an optimal way to get us all dancing where we stood on the packed, packed pool deck.  In listening back through my notes, I was struck over and over by the interplay of horns and guitars and how incredible that sounds, all bolstered by some seriously tight drum work.  And then there’s the keyboard skills of distinctive mention.  All told it makes for one incredible ensemble sound with layered textures and lines that weave together one ear-opening tapestry of sound and energy.  Looking forward to familiarizing myself with Snarky all the more in the future and very grateful that they found their way onto the Boat to be a part of this funk-laden voyage.

Snarky Puppy

Snarky Puppy

    Lettuce was another band I was happy to see again as I’ve only seen them a couple of times before.  Keeping the funk going loud and proud and adding a healthy dose of soul to the mix, Boston’s Lettuce always makes for a really great time, no matter your musical tastes.  And who didn’t love the fact that there were so very many horns on Jam Cruise this year?  Horns everywhere you looked.  So much funk and New Orleans groove busting out at the seams.  It was a brassy smorgasbord of sweet sonorous sound.  And Lettuce were certainly no exception providing their own unique spin on the genre.  They most certainly had everyone dancing and moving and kicking it to their funky bad selves bringing out guests like Nigel Hall to get down with them.  And get down they did…like the bosses they are.  Of mention is their penchant for trippy, space-jammy interludes that really grab the ear musically and aesthetically especially in the keyboard lines.  Pretty wild stuff at times — gotta love it.  Sadly, however, we cut our time with Lettuce a little short this evening in order to grab some much needed food.  But that’s not Lettuce’s fault.  Jam Cruise is a marathon of sprints, remember?  As much as you hate to, sometimes you have to make sacrifices in order to sustain yourself.  Then again, the best thing about Jam Cruise is that you usually have a second chance to get your dance on with a band you missed or partially missed.  But we’re not done yet!

Lettuce

Lettuce

    Con Brio was the big unexpected break out band on Jam Cruise for me this year.  Based in San Francisco, this group specializes in “dance-heavy funk” and boy, do they ever.  Frontman Ziek McCarter is a tour-de-force with a dynamite voice and some serious showmanship to be reckoned with.  I’d place his sound squarely somewhere between Jamiroquai, D’Angelo, Michael Jackson, and Pharrell…but with a sound all his own.  And the group?  Incredible!!  So much energy and what a great ensemble sound!  Here is a bit of info taken from their website: 

    “In 2013, the longstanding rhythm section of keyboardist Micah Dubreuil, bassist Jonathan Kirchner and drummer Andrew Laubacher joined forces with incomparable guitar slinger Benjamin Andrews and McCarter: a Texas transplant who as a 19-year-old had already begun drawing crowds in his new hometown. Add in the fireworks of the Marcus Stephens on tenor saxophone and Brendan Liu on trumpet and you have the skill and confidence that comes from years of stage time and deeply-established musical partnerships with the thirst and energy of a rising star – a bright light who’s just getting started.”

I couldn’t agree more.  Several people I spoke with stated that Con Brio was their favorite or a stand out band for them for all of Jam Cruise.  I had no idea who they were before setting sail but I will certainly be seeking them out from here on.  I would highly recommend these guys to you, my friend.  If you love dancing to some funky great groove music, that is.  Dirty, dirty good rock’n’roll funk dance music.  You know, if you like that sort of thing.  The band opened things up with a, surprise, funky one called “Paradise” and that is where we were all first introduced to Ziek’s powerful and beautiful voice.  Not only a strong full-voice singer, he is also possessed of a fine falsetto which he uses with great aplomb.  They followed this with “Sundown” and later down the set with a song called “Never”.  My favorite song of their set had to be “Kiss the Sun” featuring some groovy keyboard work from Micah and some pure funk guitar from Benjamin.  All of this providing the foundation for Ziek’s angelic crooning.  Moral of this story?  Go so this band.  Seriously.  Follow them and find them and go see this band.  Trust me, you’ll be rather glad you did.

Con Brio

Con Brio

    We finished out the evening with some more of Joe Russo’s Almost Dead, catching the tail end of the set in the Pantheon Theater.  A completely epic “Truckin’” dominated the few songs we saw, all members of the band firing on all cylinders.  There is nothing like watching that band play that music in that way.  That remarkable, one-of-a-kind way.  And a great band to lead us into our late night offerings around the Boat, those small moments of magic and mayhem that can only be found in the wee hours of the morn aboard Jam Cruise.  Another day was closing down but one more was yet on the horizon.  Friday was anon but sleep called in it’s annoyingly insistent way.  What a Thursday.  What a Thursday, indeed!  How couldn’t I look forward to Friday and all that Friday promised?  And what a way to fall asleep…filled with gratitude and the fondest of fresh memories…


Friday inbound soon, my friends!!

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